- Winner of the 2016 National Book Award for Nonfiction
- A New York Times Bestseller
- A Washington Post Bestseller
- On President Obama's Black History Month Recommended Reading List
- Finalist for the 2016 National Book Critics Circle Award for Nonfiction
- Named one of the Best Books of the Year by the Boston Globe, Washington Post, Chicago Review of Books, The Root, Buzzfeed, Bustle, and Entropy
NEW YORK TIMES BESTSELLERThis is a book that was begging to be written. This is the kind of book that demands a future where we'll no longer need such a book. Essential. --Marlon James "The most important book for me this year." --Emma Watson Selected by Emma Watson as the Our Shared Shelf Book Club Pick for January/February 2018
Sunday Times Bestseller
Winner of the British Book Awards Nonfiction Narrative Book of the Year
Winner of the Jhalak Prize
Foyles Nonfiction Book of the Year
Blackwell's Nonfiction Book of the Year Named One of the Best Books of 2017 by:
The Brooklyn Rail
Cultured Vultures Award-winning journalist Reni Eddo-Lodge was frustrated with the way that discussions of race and racism are so often led by those blind to it, by those willfully ignorant of its legacy. Her response, Why I'm No Longer Talking to White People About Race, has transformed the conversation both in Britain and around the world. Examining everything from eradicated black history to the political purpose of white dominance, from whitewashed feminism to the inextricable link between class and race, Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge, and counter racism. Including a new afterword by the author, this is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today, and an essential handbook for anyone looking to understand how structural racism works.
National Book Critics Circle Award Winner
New York Times Bestseller
A New York Times Notable Book of the Year
A Washington Post Notable Nonfiction Book of the Year
A Boston Globe Best Book of 2016
A Chicago Review of Books Best Nonfiction Book of 2016
In 1656, a Maryland planter tortured and killed an enslaved man named Antonio, an Angolan who refused to work in the fields. Three hundred years later, Simon P. Owens battled soul-deadening technologies as well as the fiction of race that divided him from his co-workers in a Detroit auto-assembly plant. Separated by time and space, Antonio and Owens nevertheless shared a distinct kind of political vulnerability; they lacked rights and opportunities in societies that accorded marked privileges to people labeled white.
An American creation myth posits that these two black men were the victims of racial discrimination, a primal prejudice that the United States has haltingly but gradually repudiated over the course of many generations. In "A Dreadful Deceit," award-winning historian Jacqueline Jones traces the lives of Antonio, Owens, and four other African Americans to illustrate the strange history of race in America. In truth, Jones shows, race does not exist, and the very factors that we think of as determining it a person s heritage or skin colorare mere pretexts for the brutalization of powerless people by the powerful. Jones shows that for decades, southern planters did not even bother to justify slavery by invoking the concept of race; only in the late eighteenth century did whites begin to rationalize the exploitation and marginalization of blacks through notions of racial difference. Indeed, race amounted to a political strategy calculated to defend overt forms of discrimination, as revealed in the stories of Boston King, a fugitive in Revolutionary South Carolina; Elleanor Eldridge, a savvy but ill-starred businesswoman in antebellum Providence, Rhode Island; Richard W. White, a Union veteran and Republican politician in post-Civil War Savannah; and William Holtzclaw, founder of an industrial school for blacks in Mississippi, where many whites opposed black schooling of any kind. These stories expose the fluid, contingent, and contradictory idea of race, and the disastrous effects it has had, both in the past and in our own supposedly post-racial society.
Expansive, visionary, and provocative, "A Dreadful Deceit" explodes the pernicious fiction that has shaped four centuries of American history.
One of America's most important writers takes on the arrest of Wayne Bertram Williams for the murder of twenty-eight black children in Atlanta to offer this searing indictment of the nation's racial stagnation.
This edition of James Baldwin's classic work offers a new foreword by Derrick Bell (with Janet Dewart Bell), and is as meaningful today as it was when it was first published in 1985.
In his searing and moving essay, James Baldwin explores the Atlanta child murders that took place over a period of twenty-two months in 1979 and 1980. Examining this incident with a reporter's skill and an essayist's insight, he notes the significance of Atlanta as the site of these brutal killings--a city that claimed to be "too busy to hate"--and the permeation of race throughout the case: the black administration in Atlanta; the murdered black children; and Wayne Williams, the black man tried for the crimes.
Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us a moment in history where it is terrifying to to be a black child in white America, and where, too often, public officials fail to ask real questions about "justice for all." Baldwin takes a time-specific event and makes it timeless: The Evidence of Things Not Seen offers an incisive look at race in America through a lens at once disturbing and profoundly revealing.
One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the killing rage--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.
From "one of the most brilliant, articulate and courageous critics of white privilege in the nation" (Michael Eric Dyson), this now-classic is "a brilliant and personal deconstruction of institutionalized white supremacy in the United States . . . a beautifully written, heartfelt memoir" (Roxanne Dunbar-Ortiz).
The inspiration for the acclaimed documentary film, this deeply personal polemic reveals how racial privilege shapes the daily lives of white Americans in every realm: employment, education, housing, criminal justice, and elsewhere.
Using stories from his own life, Tim Wise examines what it really means to be white in a nation created to benefit people who are "white like him." This inherent racism is not only real, but disproportionately burdens people of color and makes progressive social change less likely to occur. Explaining in clear and convincing language why it is in everyone's best interest to fight racial inequality, Wise offers ways in which white people can challenge these unjust privileges, resist white supremacy and racism, and ultimately help to ensure the country's personal and collective well-being.