"Obama's writing is incisive yet forgiving. This is a book worth savoring."--Alex Kotlowitz, author of There Are No Children Here "One of the most powerful books of self-discovery I've ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel."--Charlayne Hunter-Gault, author of In My Place
"Dreams from My Father is an exquisite, sensitive study of this wonderful young author's journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white."--Marian Wright Edelman
--The Washington Post "The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander's The New Jim Crow . . . ."
--The New York Times Book Review "Powerful . . . deeply informed from a legal standpoint and yet in some ways still highly personal"
--The Times Literary Supplement (London) With the eloquence of Ta-Nehisi Coates and the persuasive research of Michelle Alexander, a former federal prosecutor explains how the system really works, and how to disrupt it Cops, politicians, and ordinary people are afraid of black men. The result is the Chokehold: laws and practices that treat every African American man like a thug. In this explosive new book, an African American former federal prosecutor shows that the system is working exactly the way it's supposed to. Black men are always under watch, and police violence is widespread--all with the support of judges and politicians. In his no-holds-barred style, Butler, whose scholarship has been featured on 60 Minutes, uses new data to demonstrate that white men commit the majority of violent crime in the United States. For example, a white woman is ten times more likely to be raped by a white male acquaintance than be the victim of a violent crime perpetrated by a black man. Butler also frankly discusses the problem of black on black violence and how to keep communities safer--without relying as much on police. Chokehold powerfully demonstrates why current efforts to reform law enforcement will not create lasting change. Butler's controversial recommendations about how to crash the system, and when it's better for a black man to plead guilty--even if he's innocent--are sure to be game-changers in the national debate about policing, criminal justice, and race relations.
National Book Critics Circle Award Winner
New York Times Bestseller
A New York Times Notable Book of the Year
A Washington Post Notable Nonfiction Book of the Year
A Boston Globe Best Book of 2016
A Chicago Review of Books Best Nonfiction Book of 2016
FINALIST FOR THE PULITZER PRIZE IN GENERAL NONFICTION
FINALIST FOR THE NATIONAL BOOK AWARD IN NONFICTION
Named One of Barack Obama's Favorite Books of 2019
Winner of the Stowe Prize
Named the Louisiana Endowment for the Humanities Book of the Year
Named a Best Book of the Year by the New York Times, the Washington Post, NPR, Publishers Weekly, BookBrowse, and Literary Hub
Winner of the BookBrowse Award for Best Debut of 2019
A New York Times Book Review Editors' Choice
"An uncommonly powerful memoir about four decades in confinement . . . A profound book about friendship . . . Woodfox reminds us, in Solitary, of the tens of thousands of men, women, and children in solitary confinement in the United States. This is torture of a modern variety. If the ending of this book does not leave you with tears pooling down in your clavicles, you are a stronger person than I am. More lasting is Woodfox's conviction that the American justice system is in dire need of reform."--Dwight Garner, New York Times
"A candid, heartbreaking, and infuriating chronicle . . . as well as a personal narrative that shows how institutionalized racism festered at the core of our judicial system and in the country's prisons . . . It's impossible to read Solitary and not feel anger . . . A timely memoir of that experience that should be required reading in the age of the Black Lives Matter movement. It's also a story of conviction and humanity that shows some spirits are unbreakable."--NPR
"Heart-rending . . . Solitary is Woodfox's pointillist account of an already boxed-in childhood and adolescence in the streets of New Orleans--by his own admission, an existence marked by ignorance and devoted to petty and increasingly serious crime--and the near entirety of an intellectually and spiritually expansive adulthood spent in one of the most brutal prisons in the country (and therefore the world) . . . Some of the most touching writing on platonic male friendship I have every encountered . . . 'We must imagine Sisyphus happy, ' Camus famously wrote, and such a prompt is the ennobling virtue at the core of Solitary. It lifts the book above mere advocacy or even memoir and places it in the realm of stoic philosophy."--Thomas Chatterton Williams, New York Times Book Review
"Wrenching, sometimes numbing, sometimes almost physically painful to read. You want to turn away, put the book down: Enough, no more But you can't, because after forty-plus years, the very least we owe Woodfox is attention to his story . . . Solitary's] moral power is so overwhelming . . . Solitary should make every reader writhe with shame and ask: What am I going to do to help change this?"--Washington Post
"Solitary is evidence of Woodfox's extraordinary mental resilience in the face of relentless state cruelty. The pacing is brisk, with brief stops to reflect on the United States' mass incarceration of black people, Woodfox's black identity, and his personal philosophy, much of it centered on the Black Panther Party's 10-Point Program. Woven together, these strands form an indictment of the U.S. criminal justice system that should be read for generations."--Globe and Mail
"We have had the opportunity to read a new book called Solitary by Albert Woodfox. Anyone who believes in capital punishment should read it . . . We should consider the story of Albert Woodfox. How can you call for the death penalty when you know an innocent man could be in the gallows? Is that risk civilized society can take? Not here, not now. Not ever again."--Art Cullen, Storm Lake Times
" Woodfox's] incredible story is necessary reading, not only to understand our era of mass incarceration, but the entire history of the judicial system in America."--Town & Country
"In this devastating, superb memoir, Woodfox reflects on his decades inside the Louisiana prison system . . . The book is a stunning indictment of a judicial system 'not concerned with innocence or justice, ' and a crushing account of the inhumanity of solitary confinement. This breathtaking, brutal, and intelligent book will move and inspire readers."--Publishers Weekly (starred review)
"In beautifully poetic language that starkly contrasts the world he's describing, Woodfox awes and inspires. He illustrates the power of the human spirit, while illuminated the dire need for prison reform in the United States. Solitary is a beautiful blend of passion, terror, and hope that everyone needs to experience."--Shelf Awareness (starred review)
"A man who spent four decades in solitary confinement for a crime he did not commit tells his shocking story . . . Woodfox explains how he overcame brutal conditions] despite relentless despair . . . An important story for these times . . . An astonishing true saga of incarceration that would have surely faced rejection if submitted as a novel on the grounds that it could never happen in real life."--Kirkus Reviews
"Solitary is an astounding story and makes clear the inhumanity of solitary confinement. How Albert Woodfox maintained his compassion and sense of hope throughout his ordeal is both amazing and inspiring."--Ibram X. Kendi, author of Stamped from the Beginning, winner of the National Book Award
"Sage, profound and deeply humane, Albert Woodfox has authored an American testament. Solitary is not simply an indictment of the cruelties, absurdities and hypocrisies of the criminal justice system, it is a call to conscience for all who have allowed these acts to be done in our name."--Jelani Cobb, author of The Substance of Hope
"A man who would not be broken. Not by more than 40 years of solitary in Ang
NEW YORK TIMES BESTSELLER
This is a book that was begging to be written. This is the kind of book that demands a future where we'll no longer need such a book. Essential. --Marlon James "The most important book for me this year." --Emma Watson Selected by Emma Watson as the Our Shared Shelf Book Club Pick for January/February 2018Sunday Times Bestseller
Winner of the British Book Awards Nonfiction Narrative Book of the Year
Winner of the Jhalak Prize
Foyles Nonfiction Book of the Year
Blackwell's Nonfiction Book of the Year Named One of the Best Books of 2017 by:
NPR
The Guardian
The Observer
The Brooklyn Rail
Cultured Vultures Award-winning journalist Reni Eddo-Lodge was frustrated with the way that discussions of race and racism are so often led by those blind to it, by those willfully ignorant of its legacy. Her response, Why I'm No Longer Talking to White People About Race, has transformed the conversation both in Britain and around the world. Examining everything from eradicated black history to the political purpose of white dominance, from whitewashed feminism to the inextricable link between class and race, Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge, and counter racism. Including a new afterword by the author, this is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today, and an essential handbook for anyone looking to understand how structural racism works.
One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.
Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the killing rage--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.
Forsyth County, Georgia, at the turn of the twentieth century, was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white "night riders" launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten.
National Book Award finalist Patrick Phillips tells Forsyth's tragic story in vivid detail and traces its long history of racial violence all the way back to antebellum Georgia. Recalling his own childhood in the 1970s and '80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth "all white" well into the 1990s. In precise, vivid prose, Blood at the Root delivers a "vital investigation of Forsyth's history, and of the process by which racial injustice is perpetuated in America" (Congressman John Lewis).
