One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the killing rage--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.
From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves. With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties. Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an "unrecognized immigration" within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic. MARK LYNTON HISTORY PRIZE WINNER
HEARTLAND AWARD WINNER
DAYTON LITERARY PEACE PRIZE FINALIST NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY
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Politics & Current Events 2018 O.W.L. Book Awards Winner
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This remarkable book reveals what inspired Patrisse's visionary and courageous activism and forces us to face the consequence of the choices our nation made when we criminalized a generation. This book is a must-read for all of us. - Michelle Alexander, New York Times bestselling author of The New Jim Crow
A powerful study of the women's liberation movement in the U.S., from abolitionist days to the present, that demonstrates how it has always been hampered by the racist and classist biases of its leaders. From the widely revered and legendary political activist and scholar Angela Davis.
The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement- Examines the letters of Prince Hall, legendary founder of the first black lodge - Reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, and Nat King Cole - Explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women--both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge--the Prince Hall Grand Lodge of Massachusetts--was granted by the Grand Lodge of England rather than any American chapter. Through privileged access to archives kept by Grand Lodges, Masonic libraries, and museums in both the United States and Europe, respected Freemasonry historian C cile R vauger traces the history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Abolition Movement and the Civil War to the genesis of the Civil Rights Movement in the early 1900s up through the 1960s. She opens with a look at Prince Hall, legendary founder and the chosen namesake when black American lodges changed from "African Lodges" to "Prince Hall Lodges" in the early 1800s. She reveals how the Masonic principles of mutual aid and charity were more heavily emphasized in the black lodges and especially during the reconstruction period following the Civil War. She explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois, founder of the NAACP, among others. Looking at the deep connections between jazz and Freemasonry, the author reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, and Paul Robeson. Unveiling the deeply social role at the heart of black Freemasonry, R vauger shows how the black lodges were instrumental in helping American blacks transcend the horrors of slavery and prejudice, achieve higher social status, and create their own solid spiritually based social structure, which in some cities arose prior to the establishment of black churches.
In the 1950s, '60s, and '70s, Minneapolis resident Walter R. Scott produced a series of books profiling the African American community of the Twin Cities. The people and stories presented in the three original volumes--Centennial Edition of the Minneapolis Beacon (1956), Minneapolis Negro Profile (1968), and Minnesota's Black Community (1976)--reflect a vibrant community of businesspeople, artists, educators, athletes, and other public figures while providing an intimate look at everyday life in black homes, schools, neighborhoods, and businesses.
The Scott Collection brings back into print these fascinating documents of African American life and history in the Twin Cities. The original photos and profiles are supplemented with introductory essays that put Scott's work into context and shed light on what the images and descriptions from the time reveal about Minnesota's diverse populations then and now. The collection offers a "pictorial resume of the black community, its achievements, and its goals" and a fascinating window into particular moments in time.
During the 1970s and '80s, photographer Charles Chamblis captured the vibrant social and artistic life of the Twin Cities African American community. Musicians and other artists are shown performing, dancing, and interacting with enthusiastic audiences at once-thriving but now lost clubs, such as the Taste Show Lounge, Riverview Supper Club, Fox Trap, Nacirema Club, and others on Minneapolis's north and south sides. Among the legendary soul, funk, and R&B acts depicted are Flyte Tyme, Prophets of Peace, Terry Lewis, Jimmy Jam, Morris Day, Prince, and many other influential musicians who helped establish the so-called Minneapolis Sound. Beyond the nightlife, Chamblis's portraits, images of family gatherings and weddings, fashion photography, landscapes, and photos of community events offer intimate and rare glimpses into the life of African Americans in the Twin Cities at these particular moments in time. Contemporary writer and artist Davu Seru brings these photos to life with introductory text and supplemental essays that put this visual celebration into the context of the day as well as that of the Twin Cities community in the twenty-first century. Chamblis's images offer a trip back in time and leave a legacy unlike any other photographer's.