When Mai Neng Moua decides to get married, her mother, a widow, wants the groom to follow Hmong custom and pay a bride price, which both honors the work the bride's family has done in raising a daughter and offers a promise of love and security from the groom's family. Mai Neng, who knows the pain this tradition has caused, says no. Her husband-to-be supports her choice.
What happens next is devastating, and it raises questions about the very meaning of being Hmong in America. The couple refuses to participate in the tshoob, the traditional Hmong marriage ceremony; many members of their families, on both sides, stay away from their church wedding. Months later, the families carry out the tshoob without the wedding couple. But even after the bride price has been paid, Mai Neng finds herself outside of Hmong culture and at odds with her mother, not realizing the full meaning of the customs she has rejected. As she navigates the Hmong world of animism, Christianity, and traditional gender roles, she begins to learn what she has not been taught. Through a trip to Thailand, through hard work in the garden, through the birth of another generation, one strong woman seeks reconciliation with another.
- Colorful graphs and charts are mesmerizing pieces of art in their own right
- A valuable companion to W.E. B. Du Bois's The Souls of Black Folk
- Includes contributions from Aldon Morris, Silas Munro, and Mabel O. Wilson W.E.B. Du Bois's Data Portraits is an informative and provocative history, data, and graphic design book that continues to resonate with audiences today.
In Living a Feminist Life Sara Ahmed shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work. Building on legacies of feminist of color scholarship in particular, Ahmed offers a poetic and personal meditation on how feminists become estranged from worlds they critique--often by naming and calling attention to problems--and how feminists learn about worlds from their efforts to transform them. Ahmed also provides her most sustained commentary on the figure of the feminist killjoy introduced in her earlier work while showing how feminists create inventive solutions--such as forming support systems--to survive the shattering experiences of facing the walls of racism and sexism. The killjoy survival kit and killjoy manifesto, with which the book concludes, supply practical tools for how to live a feminist life, thereby strengthening the ties between the inventive creation of feminist theory and living a life that sustains it.
What is it like to do the back-breaking work of immigrants? To find out, Gabriel Thompson spent a year working alongside Latino immigrants, who initially thought he was either crazy or an undercover immigration agent. He stooped over lettuce fields in Arizona, and worked the graveyard shift at a chicken slaughterhouse in rural Alabama. He dodged taxis -- not always successfully -- as a bicycle delivery "boy" for an upscale Manhattan restaurant, and was fired from a flower shop by a boss who, he quickly realized, was nuts.As one coworker explained, "These jobs make you old quick." Back spasms occasionally keep Thompson in bed, where he suffers recurring nightmares involving iceberg lettuce and chicken carcasses. Combining personal narrative with investigative reporting, Thompson shines a bright light on the underside of the American economy, exposing harsh working conditions, union busting, and lax government enforcement -- while telling the stories of workers, undocumented immigrants, and desperate US citizens alike, forced to live with chronic pain in the pursuit of 8 an hour.
In his dazzling new memoir, Richard Rodriguez reflects on the color brown and the meaning of Hispanics to the life of America today. Rodriguez argues that America has been brown since its inception-since the moment the African and the European met within the Indian eye. But more than simply a book about race, Brown is about America in the broadest sense--a look at what our country is, full of surprising observations by a writer who is a marvelous stylist as well as a trenchant observer and thinker.
Nostalgia for the imagined warm family gatherings of yesteryear has colored our understanding of family celebrations. Elizabeth Pleck examines family traditions over two centuries and finds a complicated process of change in the way Americans have celebrated holidays such as Christmas, Easter, Thanksgiving, Chinese New Year, and Passover as well as the life cycle rituals of birth, coming of age, marriage, and death. By the early nineteenth century carnivalesque celebrations outside the home were becoming sentimental occasions that used consumer culture and displays of status and wealth to celebrate the idea of home and family. The 1960s saw the full emergence of a postsentimental approach to holiday celebration, which takes place outside as often as inside the home, and recognizes changes in the family and women's roles, as well as the growth of ethnic group consciousness.
This multicultural, comparative history of American family celebration, rich in detail and spiced with telling anecdotes and illustrations and a keen sense of irony, offers insight into the significance of ethnicity and consumer culture in shaping what people regard as the most memorable moments of family life.
The son of a Black African father and white American mother discusses his divided ancestry and his place in America's racial society, analyzing the quest for his own racial identity
"8vo. 403pgs. True first with unclipped dj, number line on copyright page. A slight bit of ink, very very slight, on the edges of several pages. Slight soiling to boards, else a great copy of an historic politican's first book.