When Mai Neng Moua decides to get married, her mother, a widow, wants the groom to follow Hmong custom and pay a bride price, which both honors the work the bride's family has done in raising a daughter and offers a promise of love and security from the groom's family. Mai Neng, who knows the pain this tradition has caused, says no. Her husband-to-be supports her choice.
What happens next is devastating, and it raises questions about the very meaning of being Hmong in America. The couple refuses to participate in the tshoob, the traditional Hmong marriage ceremony; many members of their families, on both sides, stay away from their church wedding. Months later, the families carry out the tshoob without the wedding couple. But even after the bride price has been paid, Mai Neng finds herself outside of Hmong culture and at odds with her mother, not realizing the full meaning of the customs she has rejected. As she navigates the Hmong world of animism, Christianity, and traditional gender roles, she begins to learn what she has not been taught. Through a trip to Thailand, through hard work in the garden, through the birth of another generation, one strong woman seeks reconciliation with another.
What is it like to do the back-breaking work of immigrants? To find out, Gabriel Thompson spent a year working alongside Latino immigrants, who initially thought he was either crazy or an undercover immigration agent. He stooped over lettuce fields in Arizona, and worked the graveyard shift at a chicken slaughterhouse in rural Alabama. He dodged taxis--not always successfully--as a bicycle delivery "boy" for an upscale Manhattan restaurant, and was fired from a flower shop by a boss who, he quickly realized, was nuts.
Most people associate Hill Harper with Hollywood, as he's appeared in dozens of films and television shows. But he is just as comfortable in a school auditorium, rousing groups of students with his unique style of real-life wisdom. Having addressed thousands of high-school and middle- school students over the years, Hill is ready to take his message to an even wider audience. Letters to a Young Brother is drawn from the humbling life lessons he learned on the road to his Ivy League education and beyond. Inspired by the countless letters and e-mails he has received from teens, Hill Harper set out to write a series of letters to young people that would catch the attention of even the most reluctant readers.
The result is a motivational but approachable book full of encouragement on a wide array of hot topics, particularly among young African-American and Hispanic men. From the challenges of getting a good education and making it through college to the media's destructive emphasis on material wealth, Letters to a Young Brother delivers eye-opening answers. Reminiscent of Marian Wright Edelman's New York Times bestseller, The Measure of Our Success: A Letter to My Children and Yours, Hill Harper's words will resonate for years to come.
It's just called history, asserts Inga Muscio in her newest book. In fact, the controversial author continues, the so-called history we learn in school is no more than a brand, developed by white men who, often unjustly, won the right to spin their stories as hard facts. With Autobiography of a Blue-Eyed Devil, it's Muscio's turn and she's taking it in order to hip the masses to the truth about the American history they think they know. Whose country is it? Has democracy ever really existed? Why does our culture celebrate certain figures and ignore others? Do schools teach kids to perpetuate white supremacist ideologies? Muscio delves deep to answer these questions, marveling at how personal history is to everyone, while challenging people to expand their thinking on America's past and encouraging them to consider how their own histories might read.
The son of a Black African father and white American mother discusses his divided ancestry and his place in America's racial society, analyzing the quest for his own racial identity
"8vo. 403pgs. True first with unclipped dj, number line on copyright page. A slight bit of ink, very very slight, on the edges of several pages. Slight soiling to boards, else a great copy of an historic politican's first book.
Beyond black and white, native and alien, lies a vast and fertile field of human experience. It is here that Eric Liu, former speechwriter for President Clinton and noted political commentator, invites us to explore.
In these compellingly candid essays, Liu reflects on his life as a second-generation Chinese American and reveals the shifting frames of ethnic identity. Finding himself unable to read a Chinese memorial book about his father's life, he looks critically at the cost of his own assimilation. But he casts an equally questioning eye on the effort to sustain vast racial categories like "Asian American." And as he surveys the rising anxiety about China's influence, Liu illuminates the space that Asians have always occupied in the American imagination. Reminiscent of the work of James Baldwin and its unwavering honesty, The Accidental Asian introduces a powerful and elegant voice into the discussion of what it means to be an American.
The management of cultural diversity is a major challenge in many states. This book follows up the theoretical analysis of Ethnic Diversity and Public Policy with detailed case studies from leading international experts on Malaysia, Tanzania, Mauritius, Trinidad and Tobago, Northern Ireland, Spain, and the United States to discover what lessons can be learned for policy-makers in other divided societies.
The management of cultural diversity is a major challenge in many states. This book follows up the theoretical analysis of Ethnic Diversity and Public Policy with detailed case studies from leading international experts on Malaysia, Tanzania, Mauritius, Trinidad and Tobago, Northern Ireland, Spain and the United States of America to discover what lessons can be learnt for policy-makers in other divided societies.
