How to Retire Happy, Wild, and Free offers inspirational advice on how to enjoy life to its fullest. The key to achieving an active and satisfying retirement involves a great deal more than having adequate financial resources; it also encompasses all other aspects of life interesting leisure activities, creative pursuits, physical well-being, mental well-being, and solid social support. World-class author and innovator Ernie J. Zelinski guides you to: Gain courage to take early retirement; in fact, the earlier the better. Put money in proper perspective so that you don't need a million dollars to retire. Generate purpose in your retirement life with meaningful creative pursuits. Follow your dreams instead of someone else's. Take charge of your mental, physical, and spiritual health. Better envision you retirement goals including where you want to live. Above all, make your retirement years the best time of your life. What sets this retirement book apart from all the others is its holistic approach to the fears, hopes, and dreams that people have about retirement. This international bestseller (over 110,000 copies sold in its first edition) goes way beyond the numbers that is often the main focus of retirement planning in most retirement books. There are many ingredients of a happy retirement and several retirement planning tools that help retirees plan for their retirement in new and more meaningful ways. One of the most powerful tools is The Get-a-Life Tree that you won't find in any other retirement books. In short, the retirement wisdom in this book will prove to be much more important than how much money you have saved. How to Retire Happy Wild, and Free helps readers create an active, satisfying, and happy retirement in a way such that they don't need a million dollars to retire."
Photography and leisure go hand in hand. Cameras are part of our everyday lives, but we are never more likely to take a picture or to be photographed than when we are at play. As recreation and entertainment flourished in the nineteenth century, so too did the new medium of photography. Cameras became increasingly accessible to amateurs and were quickly deemed an indispensible part of what it meant to have fun. Acting as social commentators, many artists also turned their attention to the subject of pleasure and entertainment, often observing how photography itself has changed the way we spend our free time.
Photography and Play reveals the various ways that artists throughout photographic history have turned to topics as diverse as Victorian billiard players, Parisian barflies, moviegoers, sightseers, and suburban sunbathers. The book features eighty-seven photographs, all drawn from the collection of the J. Paul Getty Museum, that span nearly 150 years of image making. The works included are by such noted artists as Diane Arbus, Eug ne Atget, Brassa , Henri Cartier-Bresson, Walker Evans, Andr Kert sz, Bill Owens, Man Ray, Edward Steichen, Joel Sternfeld, Alfred Stieglitz, Weegee, and Garry Winogrand--all of whom documented people at play.The illuminating introductory essay traces the relationship between the growing importance of leisure over the past 150 years and the part that photography has played in changing how we see ourselves.
At one time the game was even bigger than baseball. Today bridge is played by more than twenty-five million people in the United States alone, with Bill Gates, a sitting Supreme Court justice, and the guys from Radiohead among its devotees. In this spirited homage, Edward McPherson recounts the colorful history of the game and his attempts to master its mysteries in time to compete at the North American Bridge Championships--despite being barely able to shuffle cards, let alone play competitively. Insightful, funny, and steeped in respect, The Backwash Squeeze is an affectionate view of a grand game by an outsider trying to make his way into the inner circle.
Everyone loves to have fun Over the years, Cantonians have enjoyed a wide variety of amusements, from traveling theatrical shows to community-wide celebrations. Louis Schaefer opened the town s first opera house in 1868, attracting some of the 19th century s biggest stars to Canton. The tradition of first-rate entertainment continued in the 20th century, with stars like Benny Goodman, Tommy Dorsey, and Guy Lombardo gracing the stage of the Moonlight Ballroom. During the Great Depression in the 1930s, Canton enjoyed a cultural renaissance with the development of many arts organizations still cherished today, including the Players Guild, Canton Symphony Orchestra, and Canton Museum of Art. In 1955, the city celebrated its sesquicentennial with the biggest parade in Canton s history."
This book aims to further academic debate within the leisure and tourism studies community about the role of 'families' in contemporary life and the experiences of families and their children in the leisure environment. It is based on the recognition of the diverse nature of the family in the contemporary era and the position of children in families and society in general as active and knowing social agents rather than as passive objects. The family is on the one hand our first community with its own special kind of human attachment and on the other a little world on which the larger society is modelled. Families form the closest and most important emotional bond in humans. This relationship is what drives humanity and society, and positions families at the centre of leisure activities. This international and multi-disciplinary compilation of recent research into children and families examines progress made and challenges ahead for leisure studies. It extends the academic discourse to a wider understanding of what families, children and their leisure behaviour mean in today's societies. This book was originally published as a special issue of Annals of Leisure Research.
This book looks back at the meaning and purpose of leisure in the past. But this is not a simple social history of leisure. It is not enough to write a history of leisure on its own in fact, it is impossible without engaging in the debate about what counts as leisure (in the present and in the past). Writing a history of leisure, then, entails writing a philosophy of leisure: and any history needs to be a philosophical history as well. That is the purpose of this book. It provides an account of leisure through historical time, how leisure was constructed and understood by historical actors, how communicative reason and free will interacted with instrumentality at different times, how historians have reconstructed past leisure through historiography, and finally, how writers have perceived the meaning and purpose of leisure in alternative histories. Providing a sweeping overview of the field, Karl Spracklen charts how the concept of leisure was understood in Ancient history, through to modern times, and looks at leisure in different societies and cultures including Byzantium and Asian civilizations, as well as looking at leisure and Islam. Spracklen concludes with a chapter on future histories of leisure.
The efforts of fascism to form a 'culture of consent, ' or shape depoliticized activities, in Italy between the world wars, make a unique portrait of fascist political tactics. Professor de Grazia focuses on the dopolavoro or fascist leisure-time organization, the largest of the regime's mass institutions. She traces its gradual rise in importance for the consolidation of fascist rule; its spread in the form of thousands of local clubs into every domain of urban and rural life; and its overwhelming impact on the distribution, consumption, and character of all kinds of recreational pursuits - from sports and adult education to movies, traveling theaters, radio, and tourism. The author shows how fascism was able, between 1926 and 1939, to build a new definition of the public sphere. Recasting the public sphere entailed dispensing with traditional class and politically defined modes of organizing those social roles and desires existing outside the workplace