Both highly praised and intensely controversial, this brilliant book produces dramatic evidence that at one time the Catholic and Eastern Orthodox churches not only sanctioned unions between partners of the same sex, but sanctified them--in ceremonies strikingly similar to heterosexual marriage ceremonies.
Lions and Shadows blends autobiography and fiction to describe the true education of a writer evolving from precocious schoolboy to dropoutatlarge in London's bohemia of the 1920s. Forced to withdraw from Cambridge University, "Christopher Isherwood" works as a tutor to the privileged, serves as the secretary to a busy string quartet, ill-fatedly attends medical school. Licensed by names he invents, he works up extravagant portraits of his brilliant contemporaries W. H. Auden, Edward Upward, and Stephen Spender, whose intimate friendships and cult of rebellion changed the literary identity of England in the 1930s.
Although the story is Isherwood's own life story, carrying him up to the age of twenty-five, he gives free rein to his remarkable powers of dramatization, improving on the facts here and there, to make a highly entertaining, sometimes hilarious book.
"Read it as a novel," says Isherwood. There is no difficulty taking his advice. But his characters were real people, and when Lions and Shadows was first published, in 1938, it transformed their lives into legend.
"A remarkable, laugh-out-loud book . . . Rarely has the subject of elder care produced such droll human comedy, or a heroine quite on the mettlesome order of Betty Baker Hodgman. For as much as the book works on several levels (as a meditation on belonging, as a story of growing up gay and the psychic cost of silence, as metaphor for recovery), it is the strong-willed Betty who shines through." --The New York Times
Bobby Griffith was an all-American boy ...and he was gay. Faced with an irresolvable conflict-for both his family and his religion taught him that being gay was "wrong"-Bobby chose to take his own life.
Prayers for Bobby, nominated for a 1996 Lambda Literary Award, is the story of the emotional journey that led Bobby to this tragic conclusion. But it is also the story of Bobby's mother, a fearful churchgoer who first prayed that her son would be "healed," then anguished over his suicide, and ultimately transformed herself into a national crusader for gay and lesbian youth.
As told through Bobby's poignant journal entries and his mother's reminiscences, Prayers for Bobby is at once a moving personal story, a true profile in courage, and a call to arms to parents everywhere.
Vincent Cianni adds to the historical record of the struggles of gays and lesbians in the US military. Gays In The Military: Photographs And Interviews reveals stories of men and women who served in silence in this "apt coda to an experience marked by an evolution from darkness into light."--The New York TimesDocumentary photographer Vincent Cianni graduated from Penn State university, the Maryland Institute College of Art, and SUNY New Paltz. He teaches photography at Parsons The New School of Design, NYC. He currently lives in Newburgh, NY. Cianni's documentary work explores community and memory, the human condition, and the use of image and text. His photographs have been exhibited at Los Angeles County Museum of Art; Museum of Fine Arts, Houston; Philadelphia Museum of Art; The Nasher Museum, Photographers' Gallery, London; the 7th International Photography Festival in Mannheim; and the George Eastman House. A major survey of his work was exhibited at the Museum of the City of New York in 2006.
From the author of the award-winning novels Crossing The River and Scissors, Paper, Rock comes a powerful book about the transformative power of love. Fenton Johnson recounts the history of "how I feel in love how I came to be with someone else, how he came to death and how I helped." Johnson interweaves two stories: his own upbringing as the youngest of a Kentucky whiskey maker's nine children, and that of his lover LarD Rose, the only child of German Jews. survivors of the Holocaust.
When his father died, J. R. Ackerley was shocked to discover that he had led a secret life. And after Ackerley himself died, he left a surprise of his own--this coolly considered, unsparingly honest account of his quest to find out the whole truth about the man who had always eluded him in life. But Ackerley's pursuit of his father is also an exploration of the self, making My Father and Myself a pioneering record, at once sexually explicit and emotionally charged, of life as a gay man. This witty, sorrowful, and beautiful book is a classic of twentieth-century memoir.