Of great importance to scholars, collectors, dealers, and others interested in the history of ceramics, the decorative arts, and industrial culture, Syracuse China examines the birth, growth, and remarkable resilience over more than a century of one of America's major manufacturers of ceramic tableware. Drawing on the company's archives and historical collection of ware, the authors explore not only the history of its products but also the people who designed, made, decorated, sold, and used them.Syracuse China was the pioneer manufacturer of a distinctively American type of vitrified fine china, as well as the first American "rolled edge" shapes which revolutionized hotel and restaurant dining. The company was also a great leader in labor relations and marketing within its industry.
Cleota Reed and Stan Skoczen's lively account of this fascinating chapter in the history of American material culture spans the Victorian age to the present. Collectors and enthusiasts will find the following features invaluable:
-- 30 color plates
-- 128 black-and-white photographs
-- A comprehensive visual listing of Syracuse China's back stamps
-- An appendix that enables the reader to identify Syracuse China shapes and patterns.
This striking book gathers together an extensive collection of ceramic tiles from around the world and explores their rich history, purpose, and decorative qualities. For centuries, tiles have been used for both functional and aesthetic purposes on the fac, ades and interiors of buildings. Found in a multitude of shapes, sizes, colors, and designs--ranging from complex geometrical Islamic patterns to figurative seventeenth-century delftware--tiles are among the most varied ceramic products.
This luxurious source book, curated by the award-winning studio Here Design, is organized chronologically and features tiles in every variety of shape, displaying each individual tile type and its overall laid pattern in vivid color. Tiles are also shown in situ around the world and at different periods in their remarkable history. The Tile Book is a dazzling mosaic, with colors and patterns that will uplift and inspire.
Tiles are so simple in their essence, but the variety of materials, textures, and patterns that they allow for make them endlessly fascinating to cutting edge architects and designers. Similar to the resurgence of wallpaper a decade ago, tile makers and users are pushing the boundaries of the medium in thrilling new ways.
Introduced and curated by tile maker, curator, and devotee Deborah Osburn, Tile Envy is an exploration of the most beautiful tile designs around the world today. Sixty key personalities are profiled, ranging from established names like Herzog and de Meuron and Rob Ryan, to emerging designers such as Michelle Weinberg. Clear descriptions of the tiles and their makers are accompanied by luxuriant photography, capturing the breadth and variety of work that's going on.
Beautifully printed on heavy stock, with foil effects on the cover, this is a key title for interior and design enthusiasts.
This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of turners and burners whose creations are much admired for their strength and beauty. Perhaps no other state possesses such an active and extensive ceramic heritage, and one that is entirely continuous. This book is an attempt to understand both the past and the present, the now largely vanished world of the folk potter and the continuing achievements of his descendants. It is a tribute that is long overdue.
From the middle of the eighteenth century through the second quarter of the twentieth century, folk potters in North Carolina produced thousands of pieces of earthenware and stoneware -- sturdy, simple, indispensable forms like jars and jugs, milk crocks and butter churns, pitchers and dishes, ring jugs and flowerpots. Their wares were familiar and everyday, not innovative or unusual, because they were shaped through generations of use for specific functions. The utilitarian forms were so commonplace and embedded in daily life that few individuals documented the craft. Turners and Burners is the first book to chronicle these pottery traditions, with close attention to distinct regional and temporal patterns and the major families involved. It explores in detail the traditional technologies used, from the foot-powered treadle wheel to the wood-fired groundhog kiln.
Terry Zug became interested in North Carolina pottery in 1969 shortly after moving to Chapel Hill. In 1974 he began documenting the craft and traveled throughout the state recording the reminiscences of potters, former potters, and members of potters' families who recalled the old craft in remarkable detail. He systematically photographed and cataloged old pots, located early shop sites, and carefully recorded the remaining waster dumps of broken shards and decaying equipment. His primary source, however, was the potters themselves. Their tape-recorded interviews provide an insider's view of their world and reveal the powerful underlying logic and autonomy of their craft.
An intimate narrative history of porcelain, structured around five journeys through landscapes where porcelain was dreamed about, fired, refined, collected, and coveted.Extraordinary new nonfiction, a gripping blend of history and memoir, by the author of the award-winning and bestselling international sensation, The Hare with the Amber Eyes.
In The White Road, bestselling author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or white gold. A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted-and that would help him understand the clay's mysterious allure. From his studio in London, he starts by travelling to three white hills-sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.
Part memoir, part history, part detective story, The White Road chronicles a global obsession with alchemy, art, wealth, craft, and purity. In a sweeping yet intimate style that recalls The Hare with the Amber Eyes, de Waal gives us a singular understanding of the spectrum of porcelain and the mapping of desire.
An extraordinary blend of narrative history and memoir, by the author of the award-winning and bestselling international sensation, The Hare with Amber Eyes
In The White Road, artist Edmund de Waal gives us an intimate portrait of his lifelong obsession with porcelain, or "white gold." A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected, and coveted--and that would help him understand the clay's mysterious allure. From his studio in London, he begins by travelling to three "white hills"--sites in China, Germany, and England that are key to porcelain's creation. But his search eventually leads him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.
Part memoir, part history, part detective story, The White Road chronicles a global obsession with alchemy, art, wealth, craft, and purity.