African American Prose
Shaking the Tree: A Collection of New Fiction and Memoir by Black Women
Shaking the Tree
A Collection of New Fiction and Memoir by Black Women
Paperback      ISBN: 0393325806
A hip new anthology of fiction and memoir by African-American women writers showcases twenty-three fresh voices in American literature, including Rebecca Walker, ZZ Packer, Danzy Senna, and Carolyn Ferrell. Reprint. 15,000 first printing.
The Cross of Redemption: Uncollected Writings
The Cross of Redemption
Uncollected Writings
Paperback      ISBN: 0307275965
The Cross of Redemption is a revelation by an American literary master: a gathering of essays, articles, polemics, reviews, and interviews that have never before appeared in book form. James Baldwin was one of the most brilliant and provocative literary figures of the past century, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”
If I Can Cook/You Know God Can: African American Food Memories, Meditations, and Recipes
If I Can Cook/You Know God Can
African American Food Memories, Meditations, and Recipes
Paperback      ISBN: 080702144x
Acclaimed artist Ntozake Shange offers this delightfully eclectic tribute to black cuisine as a food of life that reflects the spirit and history of a people. With recipes such as "Cousin Eddie's Shark with Breadfruit" and "Collard Greens to Bring You Money," Shange instructs us in the nuances of a cuisine born on the slave ships of the Middle Passage, spiced by the jazz of Duke Ellington, and shared by all members of the African Diaspora. Rich with personal memories and historical insight, If I Can Cook/You Know God Can is a vivid story of the migration of a people, and the cuisine that marks their living legacy and celebration of taste.
Some of Us Are Very Hungry Now
Some of Us Are Very Hungry Now
Paperback      ISBN: 1937512835
A debut collection of essays, multiple-choice questions, screenplays and imagined talk-show interviews is inspired by the author
Wouldn't Take Nothing for My Journey Now
Wouldn't Take Nothing for My Journey Now
1st Edition    Hardcover      ISBN: 0679427430
A collection of inspirational messages presents the author's insights into such topics as friendship, grace, spirit, family, and healing
The Black Interior
The Black Interior
Paperback      ISBN: 1555973930
A collection of essays on contemporary African-American artistic life reflects on the roles of such literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove; provides an incisive reassessment of the work of painter Jean-Michel Basquiet; and examines Denzel Washington's career as a black male icon, among other topics. Original.
Act Like You Know: African-American Autobiography & White Identity
Act Like You Know
African-American Autobiography & White Identity
Paperback      ISBN: 0226735273
Black autobiographical discourses, from the earliest slave narratives to the most contemporary urban raps, have each in their own way gauged and confronted the character of white society. For Crispin Sartwell, as philosopher, cultural critic, and white male, these texts, through their exacting insights and external perspective, provide a rare opportunity to glimpse and gain access to the contents and core of white identity. Throughout this provocative work, Sartwell steadfastly recognizes the many ways in which he too is implicated in the formulation and perpetuation of racial attitudes and discourse. In Act Like You Know, he challenges both himself and others to take a long, hard look in the mirror of African-American autobiography, and to find there, in the light of those narratives, the visible features of white identity.
African American Autobiography and the Quest for Freedom
African American Autobiography and the Quest for Freedom
Hardcover      ISBN: 0313305854
Casts African American autobiographies as a form of the epic, in which learning creates a passage to freedom.
The Annotated African American Folktales
The Annotated African American Folktales
Hardcover      ISBN: 0871407531
Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The New Annotated African American Folktales revolutionizes the canon like no other volume. Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalize a vibrant African American past untainted by romantic antebellum sentiment or counterfeit nostalgia. Beginning with introductory essays and 20 seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull
Autobiography As Activism: Three Black Women of the Sixties
Autobiography As Activism
Three Black Women of the Sixties
Paperback      ISBN: 1578062640
Angela Davis, Assata Shakur (a.k.a. JoAnne Chesimard), and Elaine Brown are the only women activists of the Black Power movement who have published book-length autobiographies. In bearing witness to that era, these militant newsmakers wrote in part to educate and to mobilize their anticipated readers. In this way, Davis's Angela Davis: An Autobiography (1974), Shakur's Assata (1987), and Brown's A Taste of Power: A Black Woman's Story (1992) can all be read as extensions of the writers' political activism during the 1960s. Margo V. Perkins's critical analysis of their books is less a history of the movement (or of women's involvement in it) than an exploration of the politics of storytelling for activists who choose to write their lives. Perkins examines how activists use autobiography to connect their lives to those of other activists across historical periods, to emphasize the link between the personal and the political, and to construct an alternative history that challenges dominant or conventional ways of knowing. The histories constructed by these three women call attention to the experiences of women in revolutionary struggle, particularly to the ways their experiences have differed from men's. The women's stories are told from different perspectives and provide different insights into a movement that has been much studied from the masculine perspective. At times they fill in, complement, challenge, or converse with the stories told by their male counterparts, and in doing so, hint at how the present and future can be made less catastrophic because of women's involvement. The multiple complexities of the Black Power movement become evident in reading these women's narratives against each other as well as against the sometimes strikingly different accounts of their male counterparts. As Davis, Shakur, and Brown recount events in their lives, they dispute mainstream assumptions about race, class, and gender and reveal how the Black Power struggle profoundly shaped their respective identities.