INSTANT NEW YORK TIMES BESTSELLER"An unbelievable debut, one that announces a new and necessary American voice." --Tommy Orange, New York Times Book Review "An excitement and a wonder: strange, crazed, urgent and funny." --George Saunders "Dark and captivating and essential . . . A call to arms and a condemnation . . . Read this book." --Roxane Gay A National Book Foundation "5 Under 35" honoree, chosen by Colson Whitehead
Winner of the PEN/Jean Stein Book Award
Finalist for the National Book Critics Circle's John Leonard Award for Best First Book A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America. From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah's writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country. These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In "The Finkelstein Five," Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In "Zimmer Land," we see a far-too-easy-to-believe imagining of racism as sport. And "Friday Black" and "How to Sell a Jacket as Told by Ice King" show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
Flannery O'Connor's haunting first novel of faith, false prophets, and redemptive wisdom
Wise Blood, Flannery O'Connor's astonishing and haunting first novel, is a classic of twentieth-century literature. It is the story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his inborn, desperate fate. He falls under the spell of a blind street preacher named Asa Hawks and his degenerate fifteen-year-old daughter, Sabbath Lily. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawks, Motes founds the Church Without Christ, but is still thwarted in his efforts to lose God. He meets Enoch Emery, a young man with wise blood, who leads him to a mummified holy child and whose crazy maneuvers are a manifestation of Motes's existential struggles. This tale of redemption, retribution, false prophets, blindness, blindings, and wisdom gives us one of the most riveting characters in American fiction.
"A remarkable novel. . . . A Prayer for Owen Meany is a rare creation in the somehow exhausted world of late twentieth-century fiction--it is an amazingly brave piece of work . . . so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave this] richly textured and carefully wrought world."
-- STEPHEN KING, Washington Post
A PBS Great American Read Top 100 Pick
I am doomed to remember a boy with a wrecked voice--not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.
In the summer of 1953, two eleven-year-old boys--best friends--are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.
"Roomy, intelligent, exhilarating, and darkly comic . . . Dickensian in scope . . . Quite stunning and very ambitious." -- Los Angeles Times Book Review
"Brilliantly cinematic . . . Irving shows considerable skill as scene after scene mounts to its moving climax. -- ALFRED KAZIN, New York Times
NAMED A RECOMMENDED BOOK OF 2018 BY
The New York Times - The Chicago Reader - Nylon - The Boston Globe - The Huffington Post - The Rumpus - The AV Club - Southern Living - The Millions - Buzzfeed - Esquire - Publishers Weekly
A powerful and moving new novel from an award-winning, acclaimed author: in the wake of a devastating revelation, a father and son journey north across a tapestry of towns
When a widower receives notice from a doctor that he doesn't have long left to live, he is struck by the question of who will care for his adult son--a son whom he fiercely loves, a boy with Down syndrome. With no recourse in mind, and with a desire to see the country on one last trip, the man signs up as a census taker for a mysterious governmental bureau and leaves town with his son.
Traveling into the country, through towns named only by ascending letters of the alphabet, the man and his son encounter a wide range of human experience. While some townspeople welcome them into their homes, others who bear the physical brand of past censuses on their ribs are wary of their presence. When they press toward the edges of civilization, the landscape grows wilder, and the towns grow farther apart and more blighted by industrial decay. As they approach "Z," the man must confront a series of questions: What is the purpose of the census? Is he complicit in its mission? And just how will he learn to say good-bye to his son?
Mysterious and evocative, Census is a novel about free will, grief, the power of memory, and the ferocity of parental love, from one of our most captivating young writers.--Esquire
WINNER OF THE ORANGE PRIZE 2009
A 2008 NATIONAL BOOK AWARD FINALIST
WINNER OF THE LOS ANGELES TIMES BOOK PRIZE
A New York Times Bestseller
A Washington Post Best Book of the Year
A Los Angeles Times Best Book of the Year
A San Francisco Chronicle Best Book of the Year
From the New York Times bestselling, award-winning author of The Dive From Clausen's Pier, a sweeping, masterful new novel that explores the secrets and desires, the remnant wounds and saving graces of one California family, over the course of five decades.Bill Blair finds the land by accident, three wooded acres in a rustic community south of San Francisco. The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of the family he has yet to create, Bill buys the property on a whim. In Penny Greenway he finds a suitable wife, a woman whose yearning attitude toward life seems compelling and answerable, and they marry and have four children. Yet Penny is a mercurial housewife, at a time when women chafed at the conventions imposed on them. She finds salvation in art, but the cost is high. Thirty years later, the three oldest Blair children, adults now and still living near the family home, are disrupted by the return of the youngest, whose sudden presence and all-too-familiar troubles force a reckoning with who they are, separately and together, and set off a struggle over the family's future. One by one, the siblings take turns telling the story--Robert, a doctor like their father; Rebecca, a psychiatrist; Ryan, a schoolteacher; and James, the malcontent, the problem child, the only one who hasn't settled down--their narratives interwoven with portraits of the family at crucial points in their history. Reviewers have praised Ann Packer's "brilliant ear for character" (The New York Times Book Review), her "naturalist's vigilance for detail, so that her characters seem observed rather than invented" (The New Yorker), and the "utterly lifelike quality of her book's everyday detail" (The New York Times). Her talents are on dazzling display in The Children's Crusade, an extraordinary study in character, a rare and wise examination of the legacy of early life on adult children attempting to create successful families and identities of their own. This is Ann Packer's most deeply affecting book yet.
Now in paperback, the new novel by Leif Enger, author of the million-copy best seller, Peace Like a River, is a lively, big-hearted redemption tale; an unforgettable, picaresque Western yarn.
In 1915 Minnesota, writer Monte Becket has lost his sense of purpose. His only success long behind him, Monte lives simply with his wife and son until he befriends outlaw Glendon Hale. Plagued by guilt over abandoning his wife two decades ago, Glendon aims to go back West on a quest for absolution. As the modern age marches swiftly forward, Monte agrees to travel into Glendon's past, leaving behind his own family for a journey that will test the depth of his loyalties and morals, and the strength of his resolve. As they flee the relentless ex-Pinkerton who's been hunting Glendon for years, Monte falls ever further from his family and the law, to be tempered by a fiery adventure from which he may never get home.
With its smooth mix of romanticism and gritty reality, So Brave, Young, and Handsome examines one ordinary man's determination as he risks everything in order to understand what it's all worth, and follows an unlikely dream in the hope it will lead him back home.
The first novel in ten years from award-winning, bestselling author Leif Enger, Virgil Wander is a sweeping story of new beginnings against all odds that follows the inhabitants of a hard luck town in their quest to revive its flagging heart. Carried aloft by quotidian pleasures of kite-flying, movies, fishing, baseball, necking in parked cars and falling in love, Virgil Wander is a swift, full journey into the heart and heartache of an often overlooked upper Midwest by an award-winning master storyteller.
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece." --The New Yorker"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods." --The New Republic Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverk hn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul--and the ability to love his fellow man. Leverk hn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius--both national and individual--and the terrible responsibilities of the truly great artist.