The sensational sequel to the bestselling memoir The Basketball DiariesDuring the early 1970s, Jim Carroll was a young and rising star in the crazy and creative downtown scene in New York City. He worked at the Factory for Andy Warhol and discussed art, literature, and the cosmos with Robert Smithson, Allen Ginsberg, and Bob Dylan. He spent nights at Max's Kansas City, listening to the Velvet Underground. And he did far too many drugs -- until his survival instinct impelled him to leave New York for a Northern California retreat. Intimate and revealing, the episodes in Forced Entries, Carroll's diaries from that period, provide a sometimes hilarious, sometimes frightening glimpse of people who tested the limits of life and sanity. "Forced Entries captures the early-seventies period in New York better than anything I've read in a long time." -- William S. Burroughs
Here are real-time accounts of these years, brought to immediate and profound life: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination, and Jonathan Schell travels with American troops into the jungles of Vietnam. Some of the truly timeless works of American journalism came out of The New Yorker that decade, including Truman Capote's In Cold Blood, Rachel Carson's Silent Spring, and James Baldwin's The Fire Next Time, all excerpted here. The arts, too, underwent an extraordinary transformation, with the magazine publishing such indelible short story masterpieces as John Cheever's "The Swimmer" and John Updike's "A & P"; iconic poems by Sylvia Plath and Anne Sexton; and in-depth profiles of crucial cultural figures like Bob Dylan, Allen Ginsberg, Mike Nichols and Elaine May, and Muhammad Ali (when he was still Cassius Clay). This collection of groundbreaking pieces is also given contemporary context by current New Yorker writers, resulting in an incomparable portrait of a truly galvanizing era. Including contributions by Renata Adler - Roger Angell - Hannah Arendt - James Baldwin - Truman Capote - Rachel Carson - John Cheever - Mavis Gallant - Pauline Kaell - Jane Kramer - John McPhee - Sylvia Plath - Muriel Spark - Calvin Trillin - John Updike - E. B. White
And featuring new perspectives by Jennifer Egan - Malcolm Gladwell - Dana Goodyear - Adam Gopnik - Jill Lepore - Larissa MacFarquhar - Evan Osnos - George Packer - Kelefa Sanneh Praise for The 60s: The Story of a Decade "The third installment in the esteemed magazine's superb decades series . . . The contributor list is an embarrassment of riches. . . . The hits continue. Bring on the '70s."--Kirkus Reviews (starred review) " The 60s] deserves a lasting place on one's shelves. Like its predecessors in the series, this collection is a time capsule and a keeper."--Booklist
The newest addition to Red Hen's Anthology Series, Two-Countries: U.S. Daughters and Sons of Immigrant Parents is an anthology of flash memoir, personal essays and poetry edited by the adult child of an immigrant born and raised in the US. The collection contains contributions from sixty-five writers who were either born and/or raised in the US by one or more immigrant parent. Their work describes the many contradictions, discoveries and life lessons one experiences when one is neither seen as fully American nor fully foreign. Contributors include Richard Blanco, Tina Chang, Joseph Lagaspi, Li-Young Lee, Timothy Liu, Naomi Shihab Nye, Oliver de la Paz, Ira Sukrungruang, Ocean Vuong and many other talented writers from throughout the US.
Winner of the National Book Critics Circle Award and finalist for the Pulitzer Prize, Blake Bailey has been hailed as "addictively readable" (New York Times) and praised for his ability to capture lives "compellingly and in harrowing detail" (Time). The Splendid Things We Planned is his darkly funny account of growing up in the shadow of an erratic and increasingly dangerous brother, an exhilarating and sometimes harrowing story that culminates in one unforgettable Christmas.
Maps and Legends is an essay collection by American author Michael Chabon that was scheduled for official release on May 1, 2008, although some copies shipped two weeks early from various online bookstores. The book is Chabon's first book-length foray into nonfiction, with 16 essays, some previously published. 1] Several of these essays are defenses of the author's work in genre literature (such as science fiction, fantasy, and comics), while others are more autobiographical, explaining how the author came to write several of his most popular works.
"T Fleischmann's Syzygy, Beauty shimmers with confidence as it tours the surreal chaos of gender, art, and desire. Its declarative sentences--seductive, abject, caustic, moving, informative, and utterly inventive--herald a new world, one in which we are blessedly 'here with outfits like strings of light and no future.' I hail its weirdness, its 'armpit frankess, ' its indelible portrait of occulted relation, and above all, its impeccable music."--Maggie Nelson
Construction becomes quiet, the saw buzz and the bang little white wisps that stop at my edges. We'll get used to most anything, at least enough to keep going. The will of the wisp. I want to poke a hole in my words so that people notice you are not here. Comfortable divots you could fill some day, if you wanted to. My mother sighs, my friends sigh. "You're so sad," they say. I'm not, I'm really not. I'm just trying to breathe fully. The shadow of the mountain turns with the day, encroaching. When it settles on me I put the hammer down and walk to where it is still warm.
In Syzygy, Beauty, T Fleischmann builds an essay of prose blocks, weaving together observations on art, the narrator's construction of a house, and a direct address to a lover. Playing with scale and repetition, we are kept off-center, and therefore always looking, as the speaker leads us through an intimate relationship that is complicated and deepened by multiple partners, gender transitions, and itinerancy.
Just in time for Mother's Day, a group of America's celebrated literary women have come together to tackle a topic close to their hearts: Mom. These highly personal yet often universal stories offer windows into those influential mother-daughter moments that have forever shaped the lives And perspectives of the writers, powerful women-authors, spokespeople, scholars, teachers, and some mothers themselves.
Jonis Agee's mother haunts her daughter's plumbing. Tai Coleman's mother struggled to raise five children on her own wits and a single paycheck. Heid Erdrich's mother showed her daughter both the falsity and the truth in the cliche of the "Indian Princess." Sheila O'Connor's mother, who ran a road construction company, was not like other mothers. Ka Vang's mother dodged the hand grenades that her husband's first wife threw on her wedding day. Morgan Grayce Willow's mother drove home late at night after selling cosmetics to farm wives as her daughter rode shotgun.
In true tales of startling candor and rich insight, these and many other talented writers reflect on the women who raised them, revealing hard work and hardship, successes and failures, love and anger-mothers and daughters.
Kathryn Kysar, the author of Dark Lake, teaches writing in Minneapolis. She has received fellowships from the National Endowment for the Humanities, Norcroft, the Anderson Center for Interdisciplinary Studies, and the Banfill-Locke Center for the Arts.
"Family Portrait doesn't just rewrite the history of the prose poem in America--it sets the record straight. Murphy's scholarly introduction sets the stage for a book that traces the history of American prose poetry from 1900-1950. Simply put, this collection belongs on every poet's--and poetry lover's--bookshelf. No one will be able to write about the prose poem without referencing Family Portrait."--Peter Conners
The groundbreaking anthology of prose poetry collects over sixty voices including such well-known figures as Sherwood Anderson, William Lisle Bowles, Kay Boyle, e. e. cummings, H.D., Robert Duncan, T. S. Eliot, William Faulkner, Earnest Hemingway, Robert Lowell, Kenneth Patchen, Riding Jackson, Gertrude Stein, Jean Toomer, Thornton Wilder, and William Carlos Williams.
The original Traveler's Vade Mecum, published in 1853, contained thousands of telegrams. Ross chose telegrams as titles for poems solicited from dozens of poets, including Bollingen Prize winner Frank Bidart and former US Poet Laureate Billy Collins to create a digital-age compendium of old-world poetics. Here are lyric poems, language poems, prose poems, found poems, haikus, pantoums, ekphrases, epistolary poems, acrostics, sonnets and mirror sonnets. Demonstrating the range of what poetry can do, this book provides a fascinating glimpse into the habits and social aspects of 19th century America--and shows how we have evolved 163 years later.
Jessica Mitford was a member of one of England's most legendary families (among her sisters were the novelist Nancy Mitford and the current Duchess of Devonshire) and one of the great muckraking journalists of modern times. Leaving England for America, she pursued a career as an investigative reporter and unrepentant gadfly, publicizing not only the misdeeds of, most famously, the funeral business (The American Way of Death, a bestseller) and the prison business (Kind and Usual Punishment), but also of writing schools and weight-loss programs. Mitford's diligence, unfailing skepticism, and acid pen made her one of the great chroniclers of the mischief people get up to in the pursuit of profit and the name of good. Poison Penmanship collects seventeen of Mitford's finest pieces--about everything from crummy spas to network-TV censorship--and fills them out with the story of how she got the scoop and, no less fascinating, how the story developed after publication. The book is a delight to read: few journalists have ever been as funny as Mitford, or as gifted at getting around in those dark, cobwebbed corners where modern America fashions its shiny promises. It's also an unequaled and necessary manual of the fine art of investigative reporting.