WINNER OF THE LA TIMES BOOK PRIZE FOR MYSTERY/THRILLER
FINALIST FOR THE 2019 WOMEN'S PRIZE
Korede's sister Ayoola is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead, stabbed through the heart with Ayoola's knife. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood (bleach, bleach, and more bleach), the best way to move a body (wrap it in sheets like a mummy), and she keeps Ayoola from posting pictures to Instagram when she should be mourning her "missing" boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she's exactly what he needs. But when he asks Korede for Ayoola's phone number, she must reckon with what her sister has become and how far she's willing to go to protect her.
The bestselling novel from the award-winning author of We Should All Be Feminists and Dear Ijeawele.
"From one of the world's great contemporary writers comes the story of two Nigerians making their way in the U.S. and the UK, raising universal questions of race and belonging, the overseas experience for the African diaspora, and the search for identity and a home." --Barack Obama
SHORTLISTED FOR THE 2019 WOMEN'S PRIZE A short, darkly funny, hand grenade of a novel about a Nigerian woman whose younger sister has a very inconvenient habit of killing her boyfriends "Femi makes three, you know. Three and they label you a serial killer." Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her "missing" boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she's exactly what he needs. But when he asks Korede for Ayoola's phone number, she must reckon with what her sister has become and how far she's willing to go to protect her. Sharp as nails and full of deadpan wit, Oyinkan Braithwaite's deliciously deadly debut is as fun as it is frightening.
A New York Times Notable Book - One of the ten top novels of the year --Time and NPR
NAMED A BEST BOOK ON MORE THAN TWENTY END-OF-THE-YEAR LISTS, INCLUDING The New Yorker - The Atlantic - The Economist - Newsweek/The Daily Beast - The New Republic - New York Daily News - Los Angeles Times - The Boston Globe - The Seattle Times - Minneapolis Star Tribune - GQ - Salon - Slate - New York magazine - The Week - The Kansas City Star - Kirkus Reviews
NATIONAL BESTSELLER - FINALIST, PHILLIS WHEATLEY BOOK AWARD - TEJU COLE WAS NAMED ONE OF THE MOST INFLUENTIAL AFRICANS OF THE YEAR BY NEW AFRICAN MAGAZINE For readers of Chimamanda Ngozi Adichie and Michael Ondaatje, Every Day Is for the Thief is a wholly original work of fiction by Teju Cole, whose critically acclaimed debut, Open City, was the winner of the PEN/Hemingway Award and a finalist for the National Book Critics Circle Award, and was named one of the best books of the year by more than twenty publications. Fifteen years is a long time to be away from home. It feels longer still because I left under a cloud. A young Nigerian living in New York City goes home to Lagos for a short visit, finding a city both familiar and strange. In a city dense with story, the unnamed narrator moves through a mosaic of life, hoping to find inspiration for his own. He witnesses the "yahoo yahoo" diligently perpetrating email frauds from an Internet caf , longs after a mysterious woman reading on a public bus who disembarks and disappears into a bookless crowd, and recalls the tragic fate of an eleven-year-old boy accused of stealing at a local market. Along the way, the man reconnects with old friends, a former girlfriend, and extended family, taps into the energies of Lagos life--creative, malevolent, ambiguous--and slowly begins to reconcile the profound changes that have taken place in his country and the truth about himself. In spare, precise prose that sees humanity everywhere, interwoven with original photos by the author, Every Day Is for the Thief--originally published in Nigeria in 2007--is a wholly original work of fiction. This revised and updated edition is the first version of this unique book to be made available outside Africa. You've never read a book like Every Day Is for the Thief because no one writes like Teju Cole. Praise for Every Day Is for the Thief
"A luminous rumination on storytelling and place, exile and return . . . extraordinary."--San Francisco Chronicle "Cole is following in a long tradition of writerly walkers who, in the tradition of Baudelaire, make their way through urban spaces on foot and take their time doing so. Like Alfred Kazin, Joseph Mitchell, J. M. Coetzee, and W. G. Sebald (with whom he is often compared), Cole adds to the literature in his own zeitgeisty fashion."--The Boston Globe
"The Wedding of Zein" unfolds in the same village on the upper Nile where Tayeb Salih's tragic masterpiece Season of Migration to the North is set. Here, however, the story that emerges through the overlapping, sometimes contradictory voices of the villagers is comic. Zein is the village idiot, and everyone in the village is dumbfounded when the news goes around that he will be getting married--Zein the freak, Zein who burst into laughter the moment he was born and has kept women and children laughing ever since, Zein who lost all his teeth at six and whose face is completely hairless, Zein married at last? Zein's particular role in the life of the village has been the peculiar one of falling in love again and again with girls who promptly marry another man. It would be unheard of for him to get married himself.In Tayeb Salih's wonderfully agile telling, the story of how this miracle came to be is one that engages the tensions that exist in the village, or indeed in any community: tensions between the devout and the profane, the poor and the propertied, the modern and the traditional. In the end, however, Zein's ridiculous good luck augurs an ultimate reconciliation, opening a prospect of a world made whole. Salih's classic novella appears here with two of his finest short stories, "The Doum Tree of Wad Hamid" and "A Handful of Dates."
The audacious first novel from the award-winning and highly acclaimed Helen Oyeyemi.Jessamy "Jess" Harrison, age eight, is the child of an English father and a Nigerian mother. Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly's visits become more disturbing, until Jess realizes she doesn't actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles -- both real and spiritual -- in this lyrical and bold debut.
As P.I. Jade de Jong probes into the murder of a prosperous Johannesburg white and other recent car-jacking cases, a pattern begins to emerge, a pattern that goes back to her own father's murder and involves a vast and intricate series of crimes for profit.In Johannesburg prosperous whites live in gated communities; when they exit their cars to open the gates, car-jackings are common. But seldom is the victim killed, much less shot twice, like Annette Botha. Piet Botha, the husband of the wealthy woman, is the primary suspect in his wife's murder. Jade fled South Africa ten years ago after her father was killed. Now back in town, she offers to help her father's former assistant, Superintendent David Patel, with his investigation of this case. Under apartheid, Patel, of Indian descent, could never have attained his present position. But he is feeling pressure from his "old line" boss with respect to this investigation and fears lingering prejudice is at work.
A NEW YORK MAGAZINE BEST BOOK OF THE YEAR From the Nobel Prize-winning author J. M. Coetzee, the haunting sequel to The Childhood of Jesus, continuing the journey of Dav d, Sim n, and In s. The Death of Jesus is forthcoming from Viking.
"When you travel across the ocean on a boat, all your memories are washed away and you start a completely new life. That is how it is. There is no before. There is no history. The boat docks at the harbour and we climb down the gangplank and we are plunged into the here and now. Time begins."
Dav d is the small boy who is always asking questions. Sim n and In s take care of him in their new town, Estrella. He is learning the language; he has begun to make friends. He has the big dog Bol var to watch over him. But he'll be seven soon and he should be at school. And so, with the guidance of the three sisters who own the farm where Sim n and In s work, Dav d is enrolled in the Academy of Dance. It's here, in his new golden dancing slippers, that he learns how to call down the numbers from the sky. But it's here, too, that he will make troubling discoveries about what grown-ups are capable of. In this mesmerizing allegorical tale, Coetzee deftly grapples with the big questions of growing up, of what it means to be a "parent," the constant battle between intellect and emotion, and how we choose to live our lives.