The most extensive collection of Grey's visionary artwork and life's journey in one volume- Includes a foreword by Albert Hofmann and essays on Grey's work by renowned art critic Donald Kuspit, philosopher Ken Wilber, and Stephen Larsen, author of Joseph Campbell: A Fire in the Mind - 21,000 sold in hardcover since October 2001 Every once in a great while an artist emerges who does more than simply reflect the social trends of the time. Such an artist is able to transcend established thinking and help us redefine ourselves and our world. Today, a growing number of art critics, philosophers, and spiritual seekers believe that they have found that vision in the art of Alex Grey. Transfigurations, the follow-up to Grey's Sacred Mirrors (1991)--one of the most successful art books of the 1990s--includes all of Grey's major works completed in the following decade, including the masterful seven-paneled altarpiece Nature of Mind, called "the grand climax of Grey's art" by Donald Kuspit. His portrayals of human beings blend anatomical exactitude with visionary depictions of universal life energy. Alex Grey's striking artwork leads us on the soul's journey from material world encasement to recovery of the divinely illuminated core.
- Accompanies a major double exhibition on Jean-Michel Basquiat and Egon Schiele - two artists that died too young but created masses of work over the course of a decade, at the Fondation Louis Vuitton, Paris, from 2nd October 2018 to 4th January 2019- Comprises drawings, gouaches and paintings sourced from private collections and museums all over the worldIn 2018 the Fondation Louis Vuitton, Paris, will host exhibitons on two of the greatest artists of the 20th century - Egon Schiele, and Jean-Michel Basquiat. Both exhibitions will have the same curator, and will be held at the same time. The shows will illustrate exactly what it is that linked the two artists: line, and the use of expressive force.This, the catalogue of the Basquiat exhibition, labelled "the definitive exhibition" by its curator, brings together 100 of the artist's most important masterpieces, sourced from interational museums and private collections. With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact. This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and large-scale drawings.The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California; Francesco Pellizi who knew Basquiat well and has not written about him for a long time; and Okwui Enwezor who talks about the Afro American identity.
Magritte's extraordinary late paintings
When Ren Magritte reached his 40s, something unexpected happened. The painter, who had honed an iconic Surrealist style between 1926 and 1938, suddenly started making paintings that looked almost nothing like his earlier work. First he adopted an Impressionist aesthetic, borrowing the sweet, hazy palette of Pierre-Auguste Renoir--which he described as "sunlit Surrealism." Then his style shifted again, incorporating popular imagery, the brash colors of Fauvism and the gestural brushwork of Expressionism. And then Magritte returned to his classic style as if nothing had happened.
Ren Magritte: The Fifth Season looks at the art Magritte made during and after the stylistic crises of the 1940s, revealing his shifting attitudes toward painting. Subjects explored in this volume include the artist's Renoir period; the p riode vache, with its Fauvist- and Expressionist-style paintings that are little known to American audiences; the "hypertrophy of objects" paintings, a series that plays with the scale of familiar objects; and the enigmatic Dominion of Light suite, paintings that suggest the simultaneous experience of day and night.
Featuring full-color plates of approximately 50 oil paintings, and a dozen of the artist's gouaches, Ren Magritte: The Fifth Season offers a new understanding of Magritte's special position in the history of 20th-century art.
In a career of almost half a century, Belgian Surrealist Ren Magritte (1898-1967) probed the distance between object, language and image. Even as he playfully explored new styles, his painting practice remained consistent in its cautionary message not to equate the observable world with reality in all its fullness.
J zef Czapski (1896-1993) lived many lives during his ninety-six years. He was a student in Saint Petersburg during the Russian Revolution and a painter in Paris in the roaring twenties. As a Polish reserve officer fighting against the invading Nazis in the opening weeks of the Second World War, he was taken prisoner by the Soviets. For reasons unknown to this day, he was one of the very few excluded from Stalin's sanctioned massacres of Polish officers. He never returned to Poland after the war, but worked tirelessly in Paris to keep alive awareness of the plight of his homeland, overrun by totalitarian powers. Czapski was a towering public figure, but painting gave meaning to his life. Eric Karpeles, also a painter, reveals Czapski's full complexity, pulling together all the threads of this remarkable life.
How did Jackson Pollock become a cult figure for the Beat Generation? And what caused his reputation to continue to soar? This compelling and original Abrams classic, now back in print, locates the artist in the continuum of his times, recreating the social and cultural milieu of New York in the 1940s and 1950s. With extensive knowledge of Pollock's habits (much of it gained through interviews), his reading, his conversation, and the exhibitions he visited, the author retraces many of the far-flung sources of Pollock's work. A wealth of comparative photographs that illustrate paintings by artists Pollock admired further explains the work of this complex, tragic, and immeasurably influential figure. Pollock's big, bold canvases are reproduced in five colors to convey the brilliance of his network of tones, his aluminum paint, and his sparkling collage materials. Six gatefolds show his vast horizontal works without distortion and a chronology provides a summary of the major events of Pollock's life.
In 1984, Lee Krasner (1908-1984) became one of the few women artists to have been given a retrospective at the Museum of Modern Art, New York. She quipped about her belated recognition: "I was a woman, Jewish, a widow, a damn good painter, thank you, and a little too independent." One of the original pioneers of abstract expressionism, Krasner has for too long been eclipsed by her husband, Jackson Pollock. In fact, his death in 1956 marked her renaissance as an artist.
Coinciding with a major exhibition at Barbican Art Gallery, Lee Krasner features an outstanding selection of her most important paintings, collages, and works on paper, contextualized by photography from the postwar period, an illustrated chronology, and an unpublished interview with her biographer Gail Levin. This richly illustrated monograph is a comprehensive survey of the work of one of the twentieth century's most dynamic artists.
Challenges our preconceptions of Edvard Munch by illustrating the remarkable stylistic and emotional breadth of his paintings -- taking us well beyond the reductive association of Munch only with the iconic work "The Scream"
Edvard Munch: Archetypes brings together a thematic selection of 80 works -- in full-page, museum-quality reproductions -- that examine the painter's long and prolific career and reveal his ability to synthesize the obsessions of modern humanity. This is the first book to emphasize the wide spectrum of emotional archetypes through which Munch reveals various existential obsessions such as love, desire, jealousy, angst and death, and states of mind including melancholy, passion and submission. Each section of the volume is structured around these archetypes, showing the representation of the human figure in various settings: the seaside, the sickroom, the 'green room, ' the woods, the night and the artist's studio. It combines early works with late versions and paintings with graphic works so as to underscore the thematic and existential circularity of Munch's oeuvre.
The art of Edvard Munch (1863-1944), who is today considered one of the forefathers of modern art along with C zanne, van Gogh and Gauguin, developed from a distinctive blend of tradition and experimentation. From the beginnings of his career, the Norwegian artist created a particular mythology for modern times that was in close step with the art, literature and thought of his contemporaries. His aesthetic language, which evolved from Symbolism to Expressionism, deployed various strategies to construct a pictorial narrative of the most universal subjects.
Edvard Munch (1863-1944) was born in L ten, Norway, and studied design and art in Oslo. In May of 1885 he traveled to Paris on a scholarship, and after the deaths of his sister and father the following year, he began to spend most of his time in France. His painting first achieved fame with an 1892 exhibition in Berlin, which also led directly to his influence upon the German Expressionists. Despite struggles with alcohol and mental health, Munch lived to the age of 80.
National BestsellerThe true story that inspired the movie Woman in Gold starring Helen Mirren and Ryan Reynolds.
Contributor to the Washington Post Anne-Marie O'Connor brilliantly regales us with the galvanizing story of Gustav Klimt's 1907 masterpiece--the breathtaking portrait of a Viennese Jewish socialite, Adele Bloch-Bauer. The celebrated painting, stolen by Nazis during World War II, subsequently became the subject of a decade-long dispute between her heirs and the Austrian government.
When the U.S. Supreme Court became involved in the case, its decision had profound ramifications in the art world. Expertly researched, masterfully told, The Lady in Gold is at once a stunning depiction of fin-de si cle Vienna, a riveting tale of Nazi war crimes, and a fascinating glimpse into the high-stakes workings of the contemporary art world.
One of the Best Books of the Year: The Huffington Post, The Christian Science Monitor.
Winner of the Marfield National Award for Arts Writing. Winner of a California Book Award.