15th Century Literature - History & Criticism
The Rule of Art: Literature and Painting in the Renaissance
The Rule of Art
Literature and Painting in the Renaissance
Hardcover      ISBN: 0226360520
What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through which the poets, painters, and patrons of the Renaissance conceived of the relationship between the arts. That language is embedded in what he calls a "rule of art," a specific set of categories, assumptions, and practices that defined the two art forms and the relationship between them. Hulse charts the rise of both forms to the status of liberal arts requiring special intellectual training for artist and patron alike. In the process, he uncovers the history of the practice of theory in the Renaissance, revealing how artistic discourse lived in the world.
Shakespeare
Shakespeare
Paperback      ISBN: 1781253374
Paul Edmondson presents Shakespeare afresh as a dramatist and poet, and encourages us to take ownership of his works for ourselves as words to be spoken as well as discussed. We get a sense of what his life was like, his language, and cultural legacy. We catch glimpses of Shakespeare himself, how he wrote, and see what his works mean to readers and theatre practitioners. We see how Shakespeare tackled the biggest themes of humanity: power, history, war, and love. Paul Edmondson is head of research and knowledge and director of the Stratford-upon-Avon Poetry Festival for The Shakespeare Birthplace Trust.
The Canterbury Tales
The Canterbury Tales
Paperback      ISBN: 1907776257
"Shakespeare and Milton were the greatest sons of their country," said G.K. Chesterton, "but Chaucer was the father of his country." The Canterbury Tales have sometimes been thought dry, even intimidating, of little relevance to the modern world. Nothing could be further from the truth, argues the distinguished literary critic Stephen Fender.
Humanism and the Latin Classics
Humanism and the Latin Classics
Hardcover      ISBN: 0674971639
Aldus enjoyed widespread fame as a scholar-printer-publisher. Aldus' mission in life was less to display his own erudition than to serve the scholarly needs of his contemporaries, whether they were young students, educated readers, learned academics or distinguished authors. To this end Aldus accomplished much; his contribution to the promotion of classical languages and literature was a considerable one, and was recognized as such by his contemporaries. This volume contains editions of Ancient Latin authors, Humanistic authors, and others.--
Key Concepts in Renaissance Literature
Key Concepts in Renaissance Literature
Paperback      ISBN: 0230507670
The volume provides readers with a clear introduction to English Renaissance literary texts. Concise but detailed entries are alphabetically arranged, providing a coherent overview of central issues in the study of writings of the Renaissance era. Cross-referencing and suggestions for further reading indicate connections between topics.
The Knight Without the Sword: A Social Landscape of Malorian Chivalry
The Knight Without the Sword
A Social Landscape of Malorian Chivalry
Hardcover      ISBN: 0859916030
The question of how far the society in which Malory lived reflects that depicted in the Morte Darthur has always been hotly debated. While many critics have considered it a work of anachronistic escapism, more recently it has been argued that the romanticised world of chivalry and the reality of the gentry community revealed in contemporary letter collections represent complementary but irreconcilable aspects of fifteenth-century aristocratic life. This book challenges both assumptions, arguing that behind the chivalric facade of Malory's work lie the anxieties and aspirations of the "real" aristocracy: it presents three distinct pictures of the Malorian knight, as landowner, as an active member of political society, and as a representative of a social group earnestly preoccupied with its self-image and place in society. These three pictures, the author suggests, set behind the archetypal knight-errant in the foreground of Malory's chivalric narrative, illuminate not only Malorian chivalry, but especially the mentality of the late medieval aristocracy. HYONJIN KIM is at the Language Research Institute, Seoul National University.
Le Morte D'arthur: The Winchester Manuscript
Le Morte D'arthur
The Winchester Manuscript
Paperback      ISBN: 0199537348
The greatest English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, 'knight prisoner'. This generously annotated edition, in a new abridgement by Helen Cooper based on the Winchester manuscript, represents what Malory wrote more closely than the first version printed by William Caxton.
Petrarchan Love and the Continental Renaissance
Petrarchan Love and the Continental Renaissance
Paperback      ISBN: 0300207522
The 366 lyrics of Petrarch
Renaissance Figures of Speech
Renaissance Figures of Speech
Paperback      ISBN: 0521187052
The Renaissance Rediscovery of Intimacy
The Renaissance Rediscovery of Intimacy
Paperback      ISBN: 022652664x
In 1345, when Petrarch recovered a lost collection of letters from Cicero to his best friend Atticus, he discovered an intimate Cicero, a man very different from either the well-known orator of the Roman forum or the measured spokesman for the ancient schools of philosophy. It was Petrarch’s encounter with this previously unknown Cicero and his letters that Kathy Eden argues fundamentally changed the way Europeans from the fourteenth through the sixteenth centuries were expected to read and write. The Renaissance Rediscovery of Intimacy explores the way ancient epistolary theory and practice were understood and imitated in the European Renaissance.Eden draws chiefly upon Aristotle, Cicero, and Seneca—but also upon Plato, Demetrius, Quintilian, and many others—to show how the classical genre of the “familiar” letter emerged centuries later in the intimate styles of Petrarch, Erasmus, and Montaigne. Along the way, she reveals how the complex concept of intimacy in the Renaissance—leveraging the legal, affective, and stylistic dimensions of its prehistory in antiquity—pervades the literary production and reception of the period and sets the course for much that is modern in the literature of subsequent centuries. Eden’s important study will interest students and scholars in a number of areas, including classical, Renaissance, and early modern studies; comparative literature; and the history of reading, rhetoric, and writing.