A WISE AND WITTY REVIVIAL OF THE ROMAN POET WHO TAUGHT US HOW TO CARPE DIEM
How do we fill the void created by the excesses of a superficial society? How do we confront the inevitability of death? In Horace and Me: Life Lessons from an Ancient Poet, poet and critic Harry Eyres reexamines the Roman poet Horace's life, legacy, and verse. With a light, lyrical touch (deployed in new, fresh versions of some of Horace's most famous odes) and a keen critical eye, Eyres reveals a lively, relevant Horace, whose society--Rome at the dawn of the empire--is much more similar to our own than we might want to believe.
Eyres's study is not only intriguing--he retranslates Horace's most famous phrase,"carpe diem," as "taste the day"--but enlivening. Through Horace, Eyres meditates on how to live well, mounts a convincing case for the importance of poetry, and relates a moving tale of personal discovery. By the end of this remarkable journey, the reader too will believe in the power of Horace's "lovely words that go on shining with their modest glow, like a warm and inextinguishable candle in the darkness."
A groundbreaking new biography of one of the twentieth century's most important poets
On the fiftieth anniversary of the death of T. S. Eliot, the award-winning biographer Robert Crawford presents us with the first volume of a comprehensive account of this poetic genius. Young Eliot traces the life of the twentieth century's most important poet from his childhood in St. Louis to the publication of his revolutionary poem The Waste Land. Crawford provides readers with a new understanding of the foundations of some of the most widely read poems in the English language through his depiction of Eliot's childhood--laced with tragedy and shaped by an idealistic, bookish family in which knowledge of saints and martyrs was taken for granted--as well as through his exploration of Eliot's marriage to Vivien Haigh-Wood, a woman who believed she loved Eliot "in a way that destroys us both."
Quoting extensively from Eliot's poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, Crawford shows how the poet's background in Missouri, Massachusetts, and Paris made him a lightning rod for modernity. Most impressively, Young Eliot reveals the way he accessed his inner life--his anguishes and his fears--and blended them with his omnivorous reading to create his masterpieces "The Love Song of J. Alfred Prufrock" and The Waste Land. At last, we experience T. S. Eliot in all his tender complexity as student and lover, penitent and provocateur, banker and philosopher--but most of all, Young Eliot shows us as an epoch-shaping poet struggling to make art among personal disasters.
It was out of medieval Provence--Proensa--that the ethos of courtly love emerged, and it was in the poetry of the Proven al troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical.The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn's Proensa, George Economou writes, "will take its place among Gavin Douglas' Aeneid, Golding's Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley's Japanese, and Pound's Chinese, Italian, and Old English."
*Finalist for the 2017 PEN Open Book Award*
*Finalist for the 2016 National Book Award*
Solmaz Sharif's astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable loss of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family's and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed in America's invasions of Afghanistan and Iraq, and in the discrimination endured at the checkpoints of daily encounter.
At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. "Let it matter what we call a thing," she writes. "Let me look at you."
Daily I sit
with the language
of our language
the CAPABILITY of LOW DOLLAR VALUE ITEMs
You are what is referred to as
--from "Personal Effects"
From the bestselling author of How to Read Literature Like a Professor comes this essential primer to reading poetry like a professor that unlocks the keys to enjoying works from Lord Byron to the Beatles.
No literary form is as admired and feared as poetry. Admired for its lengthy pedigree--a line of poets extending back to a time before recorded history--and a ubiquitous presence in virtually all cultures, poetry is also revered for its great beauty and the powerful emotions it evokes. But the form has also instilled trepidation in its many admirers mainly because of a lack of familiarity and knowledge.
Poetry demands more from readers--intellectually, emotionally, and spiritually--than other literary forms. Most of us started out loving poetry because it filled our beloved children's books from Dr. Seuss to Robert Louis Stevenson. Eventually, our reading shifted to prose and later when we encountered poetry again, we had no recent experience to make it feel familiar. But reading poetry doesn't need to be so overwhelming. In an entertaining and engaging voice, Thomas C. Foster shows readers how to overcome their fear of poetry and learn to enjoy it once more.
From classic poets such as Shakespeare, Samuel Taylor Coleridge, and Edna St. Vincent Millay to later poets such as E.E. Cummings, Billy Collins, and Seamus Heaney, How to Read Poetry Like a Professor examines a wide array of poems and teaches readers:
- How to read a poem to understand its primary meaning.
- The different technical elements of poetry such as meter, diction, rhyme, line structures, length, order, regularity, and how to learn to see these elements as allies rather than adversaries.
- How to listen for a poem's secondary meaning by paying attention to the echoes that the language of poetry summons up.
- How to hear the music in poems--and the poetry in songs
With How to Read Poetry Like a Professor, readers can rediscover poetry and reap its many rewards.--BookPage
Willis Barnstone's vivid, contemporary translation, along with his introduction and notes, sheds new light on the spirit and mystique of this ancient Greek poet. This edition is an abridgment of The Complete Poems of Sappho.
Composed at the rosy-fingered dawn of world literature almost three millennia ago, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage and family; about travelers, hospitality, and the yearning for home.
This fresh, authoritative translation captures the beauty of this ancient poem as well as the drama of its narrative. Its characters are unforgettable, none more so than the "complicated" hero himself, a man of many disguises, many tricks, and many moods, who emerges in this version as a more fully rounded human being than ever before.
Written in iambic pentameter verse and a vivid, contemporary idiom, Emily Wilson's Odyssey sings with a voice that echoes Homer's music; matching the number of lines in the Greek original, the poem sails along at Homer's swift, smooth pace.
A fascinating, informative introduction explores the Bronze Age milieu that produced the epic, the poem's major themes, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this is an Odyssey that will be treasured by a new generation of readers.
Love is the meaning of our existence, the raw material of transformation, the glorious way of access to Divine intimacy. This teaching infuses the lyric verse of Rumi (1207-1273), the greatest of the Sufi poets. The poems in this collection, taken from among the master's many volumes of work, focus on one of his greatest themes: how love grows and matures for those on the spiritual path. Kabir Helminski and Ahmad Rezwani have crafted a translation that remains faithful to the original Persian while giving eloquent expression to the joy of Rumi's astonishing encounter with the Divine.
A New York Review Books OriginalTranscending divisions of creed, challenging social distinctions of all sorts, and celebrating individual unity with the divine, the poetry of Kabir is one of passion and paradox, of mind-bending riddles and exultant riffs. These new translations by Arvind Krishna Mehrotra, one of India's finest contemporary poets, bring out the richness, wit, and power of a literary and spiritual master.
*Selected as a Top 10 Must-Read Book About Antarctica by the International Association of Antarctic Tour Operators
Poet-naturalist Elizabeth Bradfield's fourth collection, Toward Antarctica, documents and queries her work as a guide on ships in Antarctica, offering an incisive insider's vision that challenges traditional tropes of The Last Continent. Inspired by haibun, a stylistic form of Japanese poetry invented by 17th-century poet, Matsuo Bashō to chronicle his journeys in remote Japan, Bradfield uses photographs, compressed prose, and short poems to examine our relationship to remoteness, discovery, expertise, awe, labor, temporary societies, "pure" landscapes, and tourism's service economy. Antarctica was the focus of Bradfield's Approaching Ice, written before she had set foot on the continent; now Toward Antarctica furthers her investigation with boots on the ground. A complicated love letter, Toward Antarctica offers a unique view of one of the world's most iconic wild places.