Charged with sensuality and passion, Pablo Neruda's love poems caused a scandal when published anonymously in 1952. In later editions, these verses became the most celebrated of the Noble Prize winner's oeuvre, captivating readers with earthbound images that reveal in gentle lingering lines an erotic re-imagining of the world through the prism of a lover's body: "today our bodies became vast, they grew to the edge of the world / and rolled melting / into a single drop / of wax or meteor...." Written on the paradisal island of Capri, where Neruda "took refuge" in the arms of his lover Matilde Urrutia, Love Poems embraces the seascapes around them, saturating the images of endless shores and waves with a new, yearning eroticism. This wonderful book collects Neruda's most passionate verses.
A bold, incisive look at race and reparative writing in American fiction, by the author of Your Face in Mine
White Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties "white flight"--the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns--to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson's Housekeeping to the claustrophobic households in Jonathan Franzen's The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race.
White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction "to approach each other again"? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism.
found a river
me, wondered how far it
wanders there and how much
mirrors. All day
long, wind and desert
followed that river's
distances . . . Weaving mind and landscape together in meditations on sky and wind, ridgeline and horizon, existence and self, Desert marks David Hinton's first collection of original poetry in over a decade. Hinton's poetic art has long shined brilliantly through his widely acclaimed Chinese translations--and here speaks for itself in his contemporary voice as he turns his attention to the transcendent landscape of the American West. Updating the philosophical insights of ancient China that Hinton has explored so deeply, these poems bring the wonder and ancient mystery of the desert landscape to light. Hinton demonstrated in The Wilds of Poetry how those ancient Chinese insights shaped the innovative American poetry of our time, and here he extends that tradition in poems that are spare and spacious, as vast and open as the desert itself.
Anna Akhmatova on Osip Mandelstam - Virgil Thomson on Gertrude Stein - Jonathan Miller on Lenny Bruce - Robert Lowell on John Berryman - Stephen Spender on W. H. Auden - Mary McCarthy on Hannah Arendt - John Thompson on Robert Lowell - James Merrill on Elizabeth Bishop - Isaiah Berlin on Boris Pasternak and Anna Akhmatova - Joseph Brodsky on Nadezhda Mandelstam - Arthur Gold and Robert Fizdale on George Balanchine - John Richardson on Douglas Cooper - Hector Bianciotti on Jorge Luis Borges Gore Vidal on Dawn Powell - Bruce Chatwin on George Ortiz Philip Roth on Ivan Kl ma - Elena Bonner on Andrei Sakharov Elizabeth Hardwick on Murray Kempton - Aileen Kelly on Isaiah Berlin - Murray Kempton on Frank Sinatra - Adam Michnik on Zbigniew Herbert - John Updike on Saul Steinberg Jonathan Mirsky on Noel Annan - Alison Lurie on Edward Gorey Ian Buruma on John Schlesinger - Darryl Pinckney on Elizabeth Hardwick - Colin Thubron on Patrick Leigh FermorTWENTY-SEVEN MEMOIRS OF TRANSFORMING PERSONAL AND INTELLECTUAL RELATIONSHIPS AMONG WRITERS AND ARTISTS FROM THE PAGES OF THE NEW YORK REVIEW OF BOOKS A sense of the intimacy and verve of the memoirs is captured in Darryl Pinckney's description of the premises of The New York Review of Books itself, from whose offices these writings were edited and in whose pages they first appeared: "Books were streaking across the ocean and galleys were zooming in from the West Coast or the East Side, nearly all by messenger, by overnight delivery, because everything was urgent, every contributor was at the center of a drama called his or her 'piece.' Incredible battles went on during press week as indescribable things rotted in the office refrigerator. Someone's laughter in the typesetting studio would provoke to fury someone doing layout next door and the storms, the slammed doors. It was a family." The New York Review of Books, with an international circulation of more than 130,000, began during New York's 1963 newspaper strike when the present editor, Robert B. Silvers, and founding co-editor Barbara Epstein, along with Jason Epstein, Elizabeth Hardwick, and Robert Lowell, decided to create a new kind of magazine--one in which the most interesting and qualified minds would discuss current books and issues in depth. Since then, every two
weeks, The New York Review has continued to be the journal where the most important issues in American life, culture, and politics are discussed by writers who are themselves a major force in world literature and thought. "The secret of its success, The New York Times wrote, "is this: Its editors' ability to get remarkable writers and thinkers, many of them specialists in their fields, to write lucidly for lay readers on an enormous range of complex, scholarly and newly emerging subjects, issues and ideas." Many of the contributors to The New York Review of Books have written about deep and abiding relationships-- both personal and intellectual--with fellow poets, writers, and artists. The Company They Kept, Volume II is a collection of twenty-seven accounts of these friendships that were always stimulating, often inspiring, and sometimes vexing (as Robert Lowell writes about John Berryman: "Hyperenthusiasms made him a hot friend, and could also make him wearing to friends--one of his dearest, Delmore Schwartz, used to say no one had John's loyalty, but you liked him to live in another city"). There are historic moments--Isaiah Berlin's conversations with Boris Pasternak and Anna Akhmatova, Hector Bianciotti's account of the death of Borges--as well as lighthearted ones--Bruce Chatwin's hilarious drunken evening with George Ortiz, and Arthur Gold and Robert Fizdale's subway ride with George Balanchine ("...like a mythical guide he made the dingy steps, the sinister train, the underground arrival at the State Theater a Tiepoloesque flight into heaven"). Many of the portraits include vivid images that otherwise would have been lost forever: the poet Osip Mandelstam, whom Anna Akhmatova first glimpsed as "a thin young boy with a twig of lily-of-the-valley in his button-hole"; the young Gore Vidal in Dawn Powell's living room suddenly realizing "this is a m nage trois in Greenwich Village. My martini runs over"; twelve-year-old aspiring cartoonist John Updike writing Saul Steinberg to ask for a cartoon (Steinberg sent one, and another, nearly fifty years later, when Updike turned sixty). Each portrait is written with feeling and fullness of heart.
An investigation of the geographical incongruities in Homer's epics locates Troy on the coast of Iberia, in a conflict that changed history- Cites the rise in sea level in 1200 B.C. as leading to the invasion and victory of the Atlantean sea people over the goddess-worshipping Trojans who ruled the coasts - Identifies Troia (Troy) as part of a tri-city area that later became Lisbon, Portugal In The Triumph of the Sea Gods, Steven Sora argues compellingly that Homer's tales do not describe adventures in the Mediterranean, but are adaptations of Celtic myths that chronicle an Atlantic coastal war that took place off the Iberian Peninsula around 1200 B.C. It was a war between the pro-goddess Celtic culture that presided over what is now Portugal and the patriarchal culture of the sea-faring Atlanteans. The invasion of the Atlantean sea peoples brought destruction to the entire region stretching from Western Europe's Atlantic border to Egypt, Syria, and Turkey. This was a turning point not only politically but also spiritually. The goddess became demonized, as seen in myths such as Pandora's Box in which woman was seen as the source of evil, not the origin of life, and Homer's tale of the epic Greek and Trojan war, which was triggered by the abduction of a woman. The actual historical struggle described in Homer's stories, Sora explains, occurred during what was the last in a series of rises in sea level that inundated various land masses (Atlantis) and permitted sea passage to areas previously accessible only by land. The "Sea Gods" (Atlanteans) attacked the tri-city region of Troia (Troy), near present-day Lisbon, which, shortly thereafter, fell victim to a devastating series of seaquakes and tsunamis. The war and the subsequent destructive weather broke the power of this seaboard civilization, leading to a wholesale invasion by the sea peoples and the rapid decline of the region's goddess-worshipping culture that had reigned there since Neolithic times. Sora shows how Homer's tales allow the modern world to glimpse this ancient conflict, which has been obscured for centuries.
Responsibility. Courage. Compassion. Honesty. Friendship. Persistence. Faith. Everyone recognizes these traits as essentials of good character. In order for our children to develop such traits, we have to offer them examples of good and bad, right and wrong. And the best places to find them are in great works of literature and exemplary stories from history.
William J. Bennett has collected hundreds of stories in "The Book of Virtues, " an instructive and inspiring anthology that will help children understand and develop character -- and help adults teach them. From the Bible to American history, from Greek mythology to English poetry, from fairy tales to modern fiction, these stories are a rich mine of moral literacy, a reliable moral reference point that will help anchor our children and ourselves in our culture, our history, and our traditions -- the sources of the ideals by which we wish to live our lives. Complete with instructive introductions and notes, "The Book of Virtues" is a book the whole family can read and enjoy -- and learn from -- together.
Absorbing, compelling, and utterly memorable, The Five Temptations of a CEO is like no other business book that's come before. Author Patrick Lencioni--noted screenplay writer and sought-after executive coach -- deftly tells the tale of a young CEO who, facing his first annual board review, knows he is failing, but doesn't know why.
"This book provides extraordinary insight into the pitfalls that leaders face when they lose sight of the true measure of success: results. This model is required reading for my staff."
--Eric Schmidt, chairman of the board and CEO, Novell
Any executive can learn how to:
- recognize the mistakes that leaders can make
- avoid errors before they occur
- and much more
Refreshingly original and utterly compelling, the story of this executive (written to be read in one sitting) will be enjoyed, remembered, and reread for years to come. It serves a timeless and potent reminder that success as a leader can come down to practicing a few simple behaviors--behaviors that are painfully difficult for each of us to master.
"Lencioni delivers a provocative message: CEOs mainly have themselves to blame when things go wrong. If you're a CEO (or any manager for that matter), do you have the courage to face the blame? Doing so could change your future-for the better."
--Dr. Jerry Porras, coauthor, Built to Last; professor, Stanford School of Business
You won't find any dry management rhetoric in this razor-sharp novelette. Apply these riveting lessons in leadership with the self-assessment at the end of the book. It will change your career
The Te of Piglet . . . in which a good deal of Taoist wisdom is revealed through the character and actions of A. A. Milne's Piglet. Piglet? Yes, Piglet.For the better than impulsive Tigger? or the gloomy Eeyore? or the intellectual Owl? or even the lovable Pooh? Piglet herein demonstrates a very important principle of Taoism: The Te--a Chinese word meaning Virtue--of the Small.