A young woman from Minnesota searches out the Colombian father she's never known in this powerful exploration of what family really means
He loved Colombia too much to leave it. The explanation from her Minnesotan mother was enough to satisfy a child's curiosity about her missing father. But at twenty-one, Anika Fajardo wanted more. She wanted to know her father better and to know what kind of country could have such a hold on him. And so, in 1995, Fajardo boarded a plane and flew to Colombia to discover a birthplace that was foreign to her and a father who was a stranger. There she learns that sometimes, no matter how many pieces you find, fitting together a family history isn't easy.
With her tentative entry into her father's world, Fajardo steps on a path that will take her in surprising directions, toward unsuspected secrets about her family and herself. Set against the changing backdrops of Colombia and the American Midwest, her journey carries her back to the 1970s and the beginnings of her parents' broken marriage, and forward to the present day, where the magic and reality of love and heartache--and her own experience as a parent--await her. The way is strewn with obstacles, physical and metaphysical--from the perils encountered on a mountain road in Colombia to the death of a loved one to the birth of her own child--but the toughest to negotiate are the shifting place of memory and truth while coming to understand her place in her family and in the world.
Vivid and heartfelt in the telling, Fajardo's story is powerfully compelling in its bridging of time and place and in its moving depiction of self-transformation. Family, she comes to find, is where you find it and what you make of it.
Radicals in the Barrio uncovers a long and rich history of political radicalism within the Mexican and Chicano working class in the United States. Chac n clearly and sympathetically documents the ways that migratory workers carried with them radical political ideologies, new organizational models, and shared class experience, as they crossed the border into southwestern barrios during the first three decades of the twentieth-century.
Justin Akers Chac n previous work includes No One is Illegal: Fighting Racism and State Violence on the U.S.-Mexico Border (with Mike Davis).
"Homelands helps us to see ourselves in each other, and in so doing it gets at the genius of a country that has always aspired to be one out of many." -Beto O'Rourke
A sweeping story of the great Mexican migration from the late 1980s to today, told by prizewinning journalist and immigration expert Alfredo Corchado
When Alfredo Corchado moved to Philadelphia in 1987, he felt as if he was the only Mexican in the city. But in a restaurant called Tequilas, he connected with two other Mexican men and one Mexican American, all feeling similarly isolated. Over the next three decades, the four friends continued to meet, coming together over their shared Mexican roots and their love of tequila. One was a radical activist, another a restaurant/tequila entrepreneur, the third a lawyer/politician. Alfredo himself was a young reporter for the Wall Street Journal.
Homelands merges the political and the personal, telling the story of the last great Mexican migration through the eyes of four friends at a time when the Mexican population in the United States swelled from 700,000 people during the 1970s to more than 35 million people today. It is the narrative of the United States in a painful economic and political transition.
As we move into a divisive, nativist new era of immigration politics, Homelands is a must-read to understand the past and future of the immigrant story in the United States, and the role of Mexicans in shaping America's history. A deeply moving book full of colorful characters searching for home, it is essential reading.
A noted Hispanic journalist sheds new light on the history of Latinos in America, ranging from the first sixteenth-century colonies in the New World through the 1998 presidential election, and offers close-up portraits of distinguished Americans of Hispanic descent who have played a key role in the ever-evolving face of American life. Reprint.
Cultural Writing. A new and improved translation of the Spanish explorer's chronicle of his journey across a large portion of what is now the United States. De Vaca's journey (1528 - 1536) of hardship and misfortune is one of the most remarkable in the history of the New World and contains many first descriptions of the land and their inhabitants. THE ACCOUNT is of estimable value for students of history an literature, ethnographers, anthropologists, and the general reader. It is the second literary text to be issued by a national project to reconstruct the literary history of Hispanics of the United States.
The political and social impact that Albert A. Pe a Jr. had on the lives of Mexican Americans, and later Chicanos, is by all counts immeasurable. However, in part because Chicano biography has traditionally been a neglected research area among academics generally and Chicano Studies scholars specifically, his life's work has not featured prominently in any biographical work to date, making this volume the first of its kind. It provides a richly detailed documentation of Pe a's life and career, from blue collar worker to judge and essay writer, spanning nearly ninety years. Readers will find that at the heart of his story is a focus on grassroots organizing and politics, sharing leadership, and a commitment to social justice.
All They Will Call You is the harrowing account of "the worst airplane disaster in California's history," which claimed the lives of thirty-two passengers, including twenty-eight Mexican citizens--farmworkers who were being deported by the U.S. government. Outraged that media reports omitted only the names of the Mexican passengers, American folk icon Woody Guthrie penned a poem that went on to become one of the most important protest songs of the twentieth century, "Plane Wreck at Los Gatos (Deportee)." It was an attempt to restore the dignity of the anonymous lives whose unidentified remains were buried in an unmarked mass grave in California's Central Valley. For nearly seven decades, the song's message would be carried on by the greatest artists of our time, including Pete Seeger, Dolly Parton, Bruce Springsteen, Bob Dylan, and Joan Baez, yet the question posed in Guthrie's lyrics, "Who are these friends all scattered like dry leaves?" would remain unanswered--until now.
Combining years of painstaking investigative research and masterful storytelling, award-winning author Tim Z. Hernandez weaves a captivating narrative from testimony, historical records, and eyewitness accounts, reconstructing the incident and the lives behind the legendary song. This singularly original account pushes narrative boundaries, while challenging perceptions of what it means to be an immigrant in America, but more importantly, it renders intimate portraits of the individual souls who, despite social status, race, or nationality, shared a common fate one frigid morning in January 1948.
Following the enchanting story recounted in When I Was Puerto Rican of the author's emergence from the barrios of Brooklyn to the prestigious Performing Arts High School in Manhattan, Esmeralda Santiago delivers the tale of her young adulthood, where she continually strives to find a balance between becoming American and staying Puerto Rican. While translating for her mother Mami at the welfare office in the morning, starring as Cleopatra at New York's prestigious Performing Arts High School in the afternoons, and dancing salsa all night, she begins to defy her mother's protective rules, only to find that independence brings new dangers and dilemmas.