A National Book Critics Circle Award Finalist, NonfictionNamed a Notable Book of the Year by
The New York Times Book Review and The Washington Post Named a Best Book of the Year by
NPR, The Boston Globe, and Kirkus Reviews (Best Nonfiction)
Countless books have been written about the civil rights movement, but far less attention has been paid to what happened after the dramatic passage of the Voting Rights Act in 1965 and the turbulent forces it unleashed. In this groundbreaking narrative history, Ari Berman charts both the transformation of American democracy under the VRA and the counterrevolution that has sought to limit it from the moment the act was signed into law. The VRA is widely regarded as the crowning achievement of the civil rights movement, and yet--more than fifty years later--the battles over race, representation, and political power continue, as lawmakers devise new strategies to keep minorities out of the voting booth, while the Supreme Court has declared a key part of the Voting Rights Act unconstitutional. Through meticulous research, in-depth interviews, and incisive on-the-ground reporting, Give Us the Ballot offers the first comprehensive history of its kind, and provides new insight into one of the most vital political and civil rights issues of our time.
A tour de force of historical reportage, America's Bank illuminates the tumultuous era and remarkable personalities that spurred the unlikely birth of America's modern central bank, the Federal Reserve. Today, the Fed is the bedrock of the financial landscape, yet the fight to create it was so protracted and divisive that it seems a small miracle that it was ever established.For nearly a century, America, alone among developed nations, refused to consider any central or organizing agency in its financial system. Americans' mistrust of big government and of big banks--a legacy of the country's Jeffersonian, small-government traditions--was so widespread that modernizing reform was deemed impossible. Each bank was left to stand on its own, with no central reserve or lender of last resort. The real-world consequences of this chaotic and provincial system were frequent financial panics, bank runs, money shortages, and depressions. By the first decade of the twentieth century, it had become plain that the outmoded banking system was ill equipped to finance America's burgeoning industry. But political will for reform was lacking. It took an economic meltdown, a high-level tour of Europe, and--improbably--a conspiratorial effort by vilified captains of Wall Street to overcome popular resistance. Finally, in 1913, Congress conceived a federalist and quintessentially American solution to the conflict that had divided bankers, farmers, populists, and ordinary Americans, and enacted the landmark Federal Reserve Act. Roger Lowenstein--acclaimed financial journalist and bestselling author of When Genius Failed and The End of Wall Street--tells the drama-laden story of how America created the Federal Reserve, thereby taking its first steps onto the world stage as a global financial power. America's Bank showcases Lowenstein at his very finest: illuminating complex financial and political issues with striking clarity, infusing the debates of our past with all the gripping immediacy of today, and painting unforgettable portraits of Gilded Age bankers, presidents, and politicians. Lowenstein focuses on the four men at the heart of the struggle to create the Federal Reserve. These were Paul Warburg, a refined, German-born financier, recently relocated to New York, who was horrified by the primitive condition of America's finances; Rhode Island's Nelson W. Aldrich, the reigning power broker in the U.S. Senate and an archetypal Gilded Age legislator; Carter Glass, the ambitious, if then little-known, Virginia congressman who chaired the House Banking Committee at a crucial moment of political transition; and President Woodrow Wilson, the academician-turned-progressive-politician who forced Glass to reconcile his deep-seated differences with bankers and accept the principle (anathema to southern Democrats) of federal control. Weaving together a raucous era in American politics with a storied financial crisis and intrigue at the highest levels of Washington and Wall Street, Lowenstein brings the beginnings of one of the country's most crucial institutions to vivid and unforgettable life. Readers of this gripping historical narrative will wonder whether they're reading about one hundred years ago or the still-seething conflicts that mark our discussions of banking and politics today.
A tour de force of storytelling years in the making: a dual biography of two of the greatest songwriters, Bob Dylan and Woody Guthrie, that is also a murder mystery and a history of labor relations and socialism, big business and greed in twentieth-century America--woven together in one epic saga that holds meaning for all working Americans today.
When thirteen-year-old Daniel Wolff first heard Bob Dylan's Like a Rolling Stone, it ignited a life-long interest in understanding the rock poet's anger. When he later discovered Song to Woody, Dylan's tribute to his hero, Woody Guthrie, Wolff believed he'd uncovered one source of Dylan's rage. Sifting through Guthrie's recordings, Wolff found 1913 Massacre--a song which told the story of a union Christmas party during a strike in Calumet, Michigan, in 1913 that ended in horrific tragedy.
Following the trail from Dylan to Guthrie to an event that claimed the lives of seventy-four men, women, and children a century ago, Wolff found himself tracing the history of an anger that has been passed down for decades. From America's early industrialized days, an epic battle to determine the country's direction has been waged, pitting bosses against workers and big business against the labor movement. In Guthrie's eyes, the owners ultimately won; the 1913 Michigan tragedy was just one example of a larger lost history purposely distorted and buried in time.
In this magnificent cultural study, Wolff braids three disparate strands--Calumet, Guthrie, and Dylan--together to create a devastating revisionist history of twentieth-century America. Grown-Up Anger chronicles the struggles between the haves and have-nots, the impact changing labor relations had on industrial America, and the way two musicians used their fury to illuminate economic injustice and inspire change.--Karen Lewis, president of the Chicago Teachers Union, local 1 of the American Federation of Teachers
Only Yesterday tells the story of the Roaring Twenties -- the decade that really began with the Armistice in November 1918 and ended in economic catastrophe and the Great Depression in 1929. Written in 1931, author Frederick Lewis Allen captures the decade in all its scandalous glory: Prohibition and the rise of speakeasies, flappers and the rise of hemlines, and prosperity and the rise of stock prices. Allen's lively narrative brings back a wealth of forgotten events, fashions, and absurdities, uniquely capturing the feel of a long-forgotten era.Frederick Lewis Allen (1890 - 1954) was born in Boston and graduated from Harvard in 1912. He served on the editorial staffs of the Atlantic Monthly and Century magazines and was editor in chief of Harper's magazine from 1941 until his death. "A perfectly grand piece of historical record and synthetic journalism." -- Chicago Daily Tribune
Winner of the Pulitzer Prize
"A must-read, cannot-put-down history." -- Thomas Friedman, New York Times
Arguably the most important American lawyer of the twentieth century, Thurgood Marshall was on the verge of bringing the landmark suit Brown v. Board of Education before the U.S. Supreme Court when he became embroiled in a case that threatened to change the course of the civil rights movement and cost him his life.
In 1949, Florida's orange industry was booming, and citrus barons got rich on the backs of cheap Jim Crow labor with the help of Sheriff Willis V. McCall, who ruled Lake County with murderous resolve. When a white seventeen-year-old girl cried rape, McCall pursued four young black men who dared envision a future for themselves beyond the groves. The Ku Klux Klan joined the hunt, hell-bent on lynching the men who came to be known as the Groveland Boys.
Associates thought it was suicidal for Marshall to wade into the Florida Terror, but the young lawyer would not shrink from the fight despite continuous death threats against him.
Drawing on a wealth of never-before-published material, including the FBI's unredacted Groveland case files, as well as unprecedented access to the NAACP's Legal Defense Fund files, Gilbert King shines new light on this remarkable civil rights crusader.--Phyllis Vine, author of One Man's Castle
A thought-provoking and penetrating account of the post-Cold war follies and delusions that culminated in the age of Donald Trump from the bestselling author of The Limits of Power.When the Cold War ended with the fall of the Berlin Wall, the Washington establishment felt it had prevailed in a world-historical struggle. Our side had won, a verdict that was both decisive and irreversible. For the world's "indispensable nation," its "sole superpower," the future looked very bright. History, having brought the United States to the very summit of power and prestige, had validated American-style liberal democratic capitalism as universally applicable. In the decades to come, Americans would put that claim to the test. They would embrace the promise of globalization as a source of unprecedented wealth while embarking on wide-ranging military campaigns to suppress disorder and enforce American values abroad, confident in the ability of U.S. forces to defeat any foe. Meanwhile, they placed all their bets on the White House to deliver on the promise of their Cold War triumph: unequaled prosperity, lasting peace, and absolute freedom. In The Age of Illusions, bestselling author Andrew Bacevich takes us from that moment of seemingly ultimate victory to the age of Trump, telling an epic tale of folly and delusion. Writing with his usual eloquence and vast knowledge, he explains how, within a quarter of a century, the United States ended up with gaping inequality, permanent war, moral confusion, and an increasingly angry and alienated population, as well, of course, as the strangest president in American history.
Lincoln Steffens's "Tweed Days in St. Louis," published in McClure's magazine in October 1902, is considered the first work of muckraking journalism, exposing corruption between businessmen, politicians, police officers and other municipal actor, as well as how apathetic citizens allow machine politics to proceed unfettered. The article also highlights residents who do fight back, including civil rights lawyer Joseph W. Folk and the workers involved in the St. Louis Streetcar Strike of 1900. "Tweed Days" was so successful that Steffens traveled on to Minneapolis to report "The Shame of Minneapolis," which appeared in the same 1903 issue of McClure's as another muckraking classic, Ida Tarbell's The History of the Standard Oil Company.
Steffens would go on to expose machine politics in Pittsburgh, Chicago, Philadelphia, and New York City. In 1904, McClure's published the series as a book, The Shame of the Cities, which remains stubbornly timely and prescient more than a century later.