Black Art
Kerry James Marshall: Mastry
Kerry James Marshall
Mastry
Hardcover      ISBN: 0847848337
The definitive monograph on contemporary African-American painter Kerry James Marshall, accompanying a major traveling retrospective. This long-awaited volume celebrates the work of Kerry James Marshall, one of America’s greatest living painters. Born before the passage of the Civil Rights Act, in Birmingham, Alabama, and witness to the Watts riots in 1965, Marshall has long been an inspired and imaginative chronicler of the African-American experience. Best known for large-scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African-American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth-century abstraction, as well as other sources such as the comic book and the muralist tradition. With luscious color and brush strokes and highly detailed patterning, his direct and intimate scenes of black middle-class life conjure a wide range of emotions, resulting in powerful paintings that confront the position of African Americans throughout American history. Richly illustrated, this monumental book features essays by noted curators as well as the artist, and more than 100 paintings from throughout the artist’s career arranged thematically by subject: history painting; beauty, as expressed through the nude, portraiture, and self-portraiture; landscape; religion; and the politics of black nationalism.
Black Refractions: Highlights from the Studio Museum in Harlem
Black Refractions
Highlights from the Studio Museum in Harlem
Hardcover      ISBN: 0847866386
An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley. The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present. An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi , and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.
Jean-Michel Basquiat: Foundation Louis Vuitton
Jean-Michel Basquiat
Foundation Louis Vuitton
Hardcover      ISBN: 2072801532
Anthology of African and Indian Ocean Photography
Anthology of African and Indian Ocean Photography
Hardcover      ISBN: 2909571491
Adrian Piper
Adrian Piper
Paperback      ISBN: 1944379207
African Art
African Art
Hardcover      ISBN: 8857208699
An illustrated study of African traditional figurative arts that reflects the continent's rich artistic and cultural heritage. The marvelous achievements of African artists over thousands of years are revealed in this book. The artworks range in date from the beginning of the first millennium all the way through the early twentieth century. Sculpture is the chief means through which the earliest African artists expressed themselves. The human figure, evocative of real or symbolic key people in the community or entities facilitating contact with the supernatural, is almost exclusively the subject matter. This vast world of African sculpture is the result of an evolutionary process based on a rich history and a diversity that derive from a seriesof migrations, wars, and alliances. During the last century, the African continent has experienced radical social, political, economic, and religious transformations. Inevitably, this has brought about a change in Africa's expressive forms, which retain fewer and fewer ties with those of the past. The aim of this work is to exhaustively present the traditional figurative arts of Africa and to concisely explain their distinguishing historical, formal, symbolic, and functional characteristics. Table of Contents: Introduction; African sculpture history and dating; Attribution; Cultures of Sudan; Cultures of Mali; Cultures of Nigeria; Afro-Portuguese and hybrid ivories; Everyday objects; Variety and purpose; Different solutions; Bibliography
African Art in the Barnes Foundation: The Triumph of L'Art negre and the Harlem Renaissance
African Art in the Barnes Foundation
The Triumph of L'Art negre and the Harlem Renaissance
Hardcover      ISBN: 0847845214
The first publication of the Barnes Foundation’s important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes’s socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France’s African colonies—Mali, Côte d’Ivoire, Gabon, and the Congo—as well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes’s role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume.
African Cosmos: Stellar Arts
African Cosmos
Stellar Arts
Hardcover      ISBN: 1580933432
A groundbreaking scholarly publication, accompanying an exhibition organized by the National Museum of African Art, Smithsonian Institution, African Cosmos: Stellar Arts brings together exceptional works of art, dating from ancient times to the present, and essays by leading scholars and contemporary artists to consider African cultural astronomy: creativity and artistic practice in Africa as it is linked to celestial bodies and atmospheric phenomena. African concepts of the universe are intensely personal, placing human beings in relation to the earth and sky, and with the sun, moon, and stars. At the core of creation myths and the foundation of moral values, celestial bodies are often accorded sacred capacities and are part of the “cosmological map

African Printed Textile Designs
African Printed Textile Designs
1st Edition    Paperback      ISBN: 0880451351

An American Odyssey: The Life and Work of Romare Bearden
An American Odyssey
The Life and Work of Romare Bearden
1st Edition    Hardcover      ISBN: 0195059093
"One of the most important and underappreciated visual artists of the twentieth century, Romare Bearden started as a cartoonist during his college years and emerged as a painter during the 1930s, at the tail end of the Harlem Renaissance and in time to be part of a significant community of black artists supported by the WPA. Though light-skinned and able to "pass," Bearden embraced his African heritage, choosing to paint social realist canvases of African-American life. After World War II, he became one of a handful of black artists to exhibit in a private gallery-the commercial outlet that would form the core of the American art world's post-war marketplace. Rejecting Abstract Expressionism, he lived briefly in Paris. After he suffered a nervous breakdown, Bearden returned to New York, turning to painting just as the civil rights movement was gaining ground with the 1954 Brown v. Board of Education and the Montgomery bus boycott. By the time of the March on Washington in 1963, Bearden had begun to experiment with collage-or Projection, as he called it-the medium for which he would ultimately become famous. In this biography, Mary Schmidt Campbell offers readers an analysis of Bearden's influences and the thematic focus of his mature work. Bearden's workprovides a portrait of memory and the African American past; according to Campbell, it also offers a record of the narrative impact of visual imagery in the twentieth century, revealing how the emerging popularity of photography, film and television depicted African Americans during their struggle to be recognized as full citizens of the United States"--