Publisher's Comments (cont.)
In nineteenth-century America, poetry was part of everyday life, as familiar as a hymn, a love song, a patriotic exhortation. American Poetry: The Nineteenth Century reveals the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These two volumes reassess America's poetic legacy with a comprehensive sweep that no previous anthology has attempted.
Extending chronologically from the classical couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier - as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and presidents John Quincy Adams and Abraham Lincoln.
This collection offers the unique opportunity to appreciate anew such classics as Whittier's "Snow-Bound," Bryant's "Forest Hymn," and Emersons "Hamatreya," while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the whimsical meditations of the Transcendentalist Christopher Pearse Cranch, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow.
The range of the poems' subject matter is equally extraordinary, and suggests the wide-ranging interests and passions of a national culture in the making: the War of 1812 and Napoleon's retreat from Moscow, the horrors of slavery and the struggle for Greek independence, historical figures from Dante and Rubens to Daniel Webster and Red Jacket, Byzantine history and New England folklore, the landscapes of Italy and India, Florida and Niagara Falls.
Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: "Home, Sweet Home," "The Old Oaken Bucket," "A Visit from St. Nicholas," "It Came Upon the Midnight Clear" "Battle Hymn of the Republic." From Lydia Maria Child's Thanksgiving poem ("Over the river and through the wood") to George Pope Morris's "The Oak" ("Woodman, spare that tree!"), these pages ring with phrases that have become part of the national memory.
Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.